{"title":"Forking paths: depicting mitosis through process-based diagramming","authors":"Gemma Anderson","doi":"10.1080/14702029.2021.1951585","DOIUrl":null,"url":null,"abstract":"ABSTRACT Artist researcher Anderson shares a series of drawings developed through the experimental interdisciplinary project ‘Representing Biology as Process’. In this project Anderson and collaborators have developed a new approach to depict natural history through ‘relational process drawing’. With focus on the dynamic patterns of the processes of life and guided by principles of choreography, they draw together relationships between energy, time, movement, and environment at the molecular, cellular, and organismal scale. The drawings discussed are a kind of hybrid representation – composed to varying degrees of visual, numerical and linguistic expressions – that both provide new insights and generate new questions for future research.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"49 10","pages":"275 - 281"},"PeriodicalIF":0.0000,"publicationDate":"2021-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2021.1951585","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Artist researcher Anderson shares a series of drawings developed through the experimental interdisciplinary project ‘Representing Biology as Process’. In this project Anderson and collaborators have developed a new approach to depict natural history through ‘relational process drawing’. With focus on the dynamic patterns of the processes of life and guided by principles of choreography, they draw together relationships between energy, time, movement, and environment at the molecular, cellular, and organismal scale. The drawings discussed are a kind of hybrid representation – composed to varying degrees of visual, numerical and linguistic expressions – that both provide new insights and generate new questions for future research.
期刊介绍：
The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research
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