C. Rúa, Marcela Sepúlveda, Sebastián Gutiérrez, J. Cárcamo-Vega, Julio Surco-Luque, M. Campos-Vallette, F. Guzmán, P. Conti, Magdalena Pereira
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引用次数: 6
Abstract
Micro-Raman spectroscopy was used to analyze and identify pigments and determine the palette of color in wall paintings from four churches of the Colonial Period, in the Bolivian highlands. The ancient churches Santiago de Callapa, Curahuara de Carangas, NuestraSenora de Copacabana de Andamarca and San Jose de Soracachi were constructed during the 17th and 18th centuries, around the important colonial Ruta de la Plata, between Potosi city and Arica harbor on the Pacific coast of South America. Most pigments used in the wall paintings correspond to inorganic minerals as well as to organic colorants. Fully chlorinated copper phthalocyanine (green), copper phthalocyanine (blue), β-naphthol (yellow) and benzoimidazolone (red), were identified in the corresponding colored areas suggesting subsequent recent interventions or restorations. Ground layer materials were also characterized. The present results allow for discussion of the pictorial techniques used in the Andean highland during the colonial period and allow conservators and restorers to make important decisions regarding the type of intervention to perform in the case of these important historical and patrimonial monuments.
微拉曼光谱被用于分析和识别颜料,并确定了玻利维亚高地殖民时期四座教堂壁画的调色板。古教堂Santiago de Callapa, Curahuara de Carangas, NuestraSenora de Copacabana de Andamarca和San Jose de Soracachi建于17世纪和18世纪,位于重要的殖民地Ruta de la Plata周围,位于波托西市和南美洲太平洋沿岸的Arica港之间。壁画中使用的大多数颜料既属于有机颜料,也属于无机矿物。在相应的彩色区域发现了完全氯化的酞菁铜(绿色)、酞菁铜(蓝色)、β-萘酚(黄色)和苯并咪唑酮(红色),表明随后的近期干预或修复。对接地层材料也进行了表征。目前的结果允许讨论殖民时期在安第斯高地使用的绘画技术,并允许保护人员和修复人员就这些重要的历史和遗产古迹的干预类型做出重要决定。
期刊介绍:
Conservation Science in Cultural Heritage is an international peer reviewed journal which continues Quaderni di Scienza della Conservazione. Main topics of publication: • Study of the system: artifact-environment-biota • Historical-artistic knowledge of cultural heritage (i.e. author, art movement, period of realization, techniques, society and cultural characteristics, socio-economic context, commissioning, financing, interested public) • History, diagnosis, restoration, maintenance, conservation, valorization, prevention • Document research • Book, codex, and manuscript production in its historical context • Appropriate methodologies and analytical techniques used for the characterization of historical artifacts and evaluation of the conservation state • Environmental monitoring: assessment of atmospheric pollution and correlated degradation of monuments and historical-artistic sites • Micro and macroclimatic monitoring in confined areas (i.e. museums, libraries, archives, churches, galleries…) • Art diagnostics and evaluation of the authentication of art works • Art market and auction houses • Experiences in cultural heritage conservation • Evaluation of the suitability of products for restoration, conservation, and maintenance of works of art • Information science and cultural heritage: data processing and cataloguing methods • Virtual re-elaboration and use of historical artifacts and environments • Study, valorization and digitalization of archive and library heritage • Environmental context and technical-conservative issues related to historic architecture • Virtual or traditional conservation, cataloguing and processing of photographs • Various other topics including education, safeguard, education, legislation, economics, social aspects, management, marketing, interdisciplinarity, internationalization, etc.