Traditional Pottery as Expression of Art Therapy in Western Bamileke Cameroon

Djoukwo Tsanetse Majolie Carine, Aihong Wang
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Abstract

Amongst the Bamileke people of the West Region of Cameroon, is associated with the phenomenon and practice of traditional rituals. Essentially, these rituals contribute to practitioners' good mental health, which is consistent with the Community action clauses that appeared in Quebec during the 1960s concerning art therapy. The goal is to improve the living standards and health conditions of the individual and the social group. In the various Bamileke groups, the activity of pottery faced some prejudices likely to discourage anyone wishing to make a career in this profession. Prejudices that, among others, the activity would be reserved for sterile and menopausal women, etc. The present study, led by the desire to bring a denial of these preliminary misunderstandings, presents the traditional pottery of the Bamilekes in its environment as the expression of art therapy. Indeed, pottery objects as well as the other forms of art of the said tribe accompany the individual or the group in the accomplishment of his deep aspirations. In each situation, the object and ritual that accompanies it provide a relatively effective solution. Our argument first consists of briefly presenting the concept of art therapy and some theoretical approaches supporting it, then present the pottery as therapy in a general way, and the pottery as the therapy in Bamileke. The argument continues with the unfolded prejudices related to the job of the potter in the Bamileke territory. Here we bring a denial by stating that if the traditional pottery materializes the concept of art therapy, it would like to say that it promotes fertility and not sterility. Finally, we ponder about the future of pottery as a therapy in the context of the Bamilekes. The different points approached allows us to investigate and understand the use of pottery objects in many rituals of the Bamileke people, considered as a form of practicing the art of therapy. The different rituals to which objects are associated have a single purpose: to seek the psychosomatic welfare of the individual and the community.
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传统陶器在喀麦隆巴米利克西部艺术治疗中的表现
在喀麦隆西部地区的巴米莱克人中,与传统仪式的现象和实践有关。从本质上讲,这些仪式有助于从业者的良好心理健康,这与20世纪60年代在魁北克出现的关于艺术疗法的社区行动条款是一致的。目标是提高个人和社会群体的生活水平和健康状况。在不同的巴米勒克群体中,制陶活动面临着一些偏见,可能会阻碍任何希望从事这一职业的人。偏见认为,除其他外,该活动将保留给不育和更年期妇女,等等。本研究的目的是否认这些初步的误解,将巴米勒克人的传统陶器作为艺术治疗的表达呈现在其环境中。事实上,陶器和上述部落的其他艺术形式一样,陪伴着个人或群体实现他的深刻愿望。在每一种情况下,伴随它的物品和仪式提供了一个相对有效的解决方案。我们的论述首先是简要介绍艺术治疗的概念和一些支持艺术治疗的理论方法,然后以一般的方式介绍陶器作为治疗方法,以及巴米莱克的陶器作为治疗方法。关于巴米勒克地区陶工工作的偏见,争论还在继续。在这里,我们提出一个否认,如果传统的陶器物化了艺术治疗的概念,它想说它促进生育而不是不育。最后,我们在巴米勒克斯的背景下思考陶器作为一种治疗方法的未来。不同的观点使我们能够调查和了解巴米莱克人在许多仪式中使用陶器的情况,这些仪式被认为是一种实践治疗艺术的形式。与物品相关的不同仪式有一个单一的目的:寻求个人和社区的身心福利。
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