Haydn’s impropriety

IF 0.7 1区 艺术学 0 MUSIC JOURNAL OF MUSIC THEORY Pub Date : 2018-04-01 DOI:10.1215/00222909-4450660
Naomi Waltham-Smith
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引用次数: 7

Abstract

Haydn is known for his playful (mis)use of cadential formulas. Examining examples of this predilection and processes of cadential liquidation, this article develops a theory of the use of musical material. This entails a deconstruction of the Adornian dialectic between generic convention and particular expression and—following Jacques Derrida’s notion of exappropriation—between proper and improper, and propriety and impropriety.
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海顿以戏谑地(错误地)使用韵律公式而闻名。本文研究了这种偏好和递进清算过程的例子,发展了一种音乐材料使用的理论。这需要解构阿多主义在一般惯例和特殊表达之间的辩证法,并遵循雅克·德里达的剥夺概念,在适当和不适当之间,得体和不得体之间。
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来源期刊
CiteScore
1.40
自引率
0.00%
发文量
12
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