Edina Adam with Julian Brooks, William Blake: Visionary; Lives of William Blake: Henry Crabb Robinson, John Thomas Smith, Alexander Gilchrist, introduced by Martin Myrone
{"title":"Edina Adam with Julian Brooks, William Blake: Visionary; Lives of William Blake: Henry Crabb Robinson, John Thomas Smith, Alexander Gilchrist, introduced by Martin Myrone","authors":"Luisa Calé","doi":"10.47761/biq.283","DOIUrl":null,"url":null,"abstract":"A figure seen from the back kneels at an altar before the glaring, darkened form of a numinous planet. As a frontispiece this image marks the entrance to The Song of Los, and now it also leads us into William Blake: Visionary, the stunning catalogue of the Getty exhibition that was due to open from 21 July to 11 October 2020, but has been postponed to fall 2023 because of the COVID-19 pandemic.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"39 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.283","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
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Abstract
A figure seen from the back kneels at an altar before the glaring, darkened form of a numinous planet. As a frontispiece this image marks the entrance to The Song of Los, and now it also leads us into William Blake: Visionary, the stunning catalogue of the Getty exhibition that was due to open from 21 July to 11 October 2020, but has been postponed to fall 2023 because of the COVID-19 pandemic.
期刊介绍：
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.
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