A throw of the dice: Nietzsche on the pure notion of «nature»

Egor L. Dorozhkin
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Abstract

The article explores the meaning of the pure concept of «nature» found in Nietzsche’s 1881 drafts and associated with the project of returning the «meaning to the earth». As a rule, this concept and its historical consequences remain out of sight of researchers studying Nietzsche’s philosophy and Nietzscheism. This omission overshadows some important lines of genesis of modern philosophical ontologies, largely due to the split in the interpretation of nature after the era of romanticism. One of the strategies of this split is embodied in the philosophy of Nietzsche, and, through him, in the poetic ontologies of the 20th century. The study undertaken in this article primarily proceeds from Nietzsche’s texts of 1881–1882, when the idea of eternal return took shape, and then reconstructs the place of the pure concept of «nature» in the general context of the thinker’s works. The paper also analyzes the key interpretations of works by Nietzsche offered in the middle and second half of the 20th century. The greatest attention is paid to the texts of M. Heidegger and J. Deleuze, but also W. Kaufmann, P. Klossovsky, R. Safransky, P. Sloterdijk, and A. Badiou. The result of this hermeneutic and comparative-analytical work is the consideration of the pure concept of «nature» as the «meaning of the earth» through the unity of three concepts — the Dionysian worldview, the eternal return, and the will to power. The paper concludes that the concept of «nature» as immediate expressiveness of existence is opposed to the abstractness of the classical New European concept of nature («natura»). In other words, it is an ontology of «a Throw of the Dice», i.e. ontology of the chance, freeing the singularity from reflexive mediation.
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掷骰子:尼采关于“自然”的纯粹概念
本文探讨了尼采1881年草稿中发现的纯粹“自然”概念的意义,并与将“意义回归地球”的计划联系在一起。通常,这一概念及其历史后果在研究尼采哲学和尼采主义的研究者的视野之外。这种遗漏掩盖了现代哲学本体论起源的一些重要线索,主要是由于浪漫主义时代之后对自然解释的分裂。这种分裂的策略之一体现在尼采的哲学中,并通过他体现在20世纪的诗歌本体论中。本文的研究主要从尼采1881-1882年的文本开始,当永恒回归的想法形成时,然后在思想家作品的一般背景下重建纯粹的“自然”概念的位置。文章还分析了20世纪中后半叶对尼采著作的主要解读。最受关注的是海德格尔和德勒兹的文本,但也有W.考夫曼,P.克洛索夫斯基,R.萨夫兰斯基,P.斯洛特戴克和A.巴迪欧。这种解释学和比较分析工作的结果是,通过三个概念的统一,即酒神的世界观、永恒的回归和对权力的意志,把“自然”的纯粹概念考虑为“地球的意义”。本文的结论是,作为存在的直接表达的“自然”概念与古典新欧洲自然概念(“自然”)的抽象性相对立。换句话说,它是“掷骰子”的本体论,即机会的本体论,将奇点从反身性中介中解放出来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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