{"title":"Shirin Nezammafi and the unmaking of postcolonial Japan","authors":"Amin Ghadimi","doi":"10.1017/S1479591423000189","DOIUrl":null,"url":null,"abstract":"Abstract This article takes up the short work of fiction Salam, written in Japanese in 2006 by Shirin Nezammafi, and deploys it as a primary source in the history of the Japanese present. Salam tells the tale of Layla, an Afghan migrant detained in and then expelled from Japan in 2001. The article argues that Salam exposes the unmaking of postcolonial Japan: if postcolonial Japan meant a territorial, sovereign nation-state built on hegemonic national myths, then now it is unsustainable. Salam calls to an inevitable if uncharted post-national, post-territorial future. To advance this argument, the article focuses on Nezammafi's treatment of three humanistic categories tied up with geopolitical territoriality: language, art, and gender. These categories, when associated with the nation-state, generate irony in Salam. That irony stems from the anachronism of nations: territorial nations, Japanese or otherwise, appear as past entities that have outlived their possibility.","PeriodicalId":51971,"journal":{"name":"International Journal of Asian Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2023-06-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"International Journal of Asian Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1479591423000189","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0
Abstract
Abstract This article takes up the short work of fiction Salam, written in Japanese in 2006 by Shirin Nezammafi, and deploys it as a primary source in the history of the Japanese present. Salam tells the tale of Layla, an Afghan migrant detained in and then expelled from Japan in 2001. The article argues that Salam exposes the unmaking of postcolonial Japan: if postcolonial Japan meant a territorial, sovereign nation-state built on hegemonic national myths, then now it is unsustainable. Salam calls to an inevitable if uncharted post-national, post-territorial future. To advance this argument, the article focuses on Nezammafi's treatment of three humanistic categories tied up with geopolitical territoriality: language, art, and gender. These categories, when associated with the nation-state, generate irony in Salam. That irony stems from the anachronism of nations: territorial nations, Japanese or otherwise, appear as past entities that have outlived their possibility.
期刊介绍:
International Journal of Asian Studies (IJAS) is an interdisciplinary, English-language forum for research in the humanities and social sciences. Its purpose is to foster multi-directional communication among the global Asian studies community. IJAS examines Asia on a regional basis, emphasizing patterns and tendencies that go beyond the borders of individual countries. The editorial committee is particularly interested in interdisciplinary and comparative studies whose arguments are strengthened by rigorous historical analysis. The committee encourages submissions from Asian studies researchers globally, and especially welcomes the opportunity to introduce the work of Asian scholars to an English-language readership.