Making Space for Jewish Culture in Polish Folk and Ethnographic Museums

IF 0.3 0 ART Museum Worlds Pub Date : 2019-07-01 DOI:10.3167/armw.2019.070107
E. Lehrer, Monika Murzyn-Kupisz
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Abstract

Looking beyond Poland’s internationally lauded new Jewish museums, this article asks how Jews are represented in longer-standing folk and ethnographic museums whose mandates have been to represent the historical culture of the Polish nation. How have such museums navigated growing internal pressures to incorporate Jews and reconsider the boundaries of “Polishness” alongside external pressures to rethink the function and approach of ethnographic museology? Based on three museums that have taken three different approaches to Jewishness—what we call cabinet of Jewish curiosities, two solitudes, and ambivalent externalization—we assess the roles played by inherited discourses and structures as well as human agents within and beyond the museum. We illuminate how social debate about the character of the nation (and Jews’ place in it) plays out in museums at a moment in their transition from nineteenth- to twenty-first-century paradigms and how a distinctively Polish path toward a “new museology” is emerging in conversation with and resistance to its Western counterparts.
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在波兰民俗与民族志博物馆为犹太文化创造空间
除了波兰受到国际赞誉的新犹太博物馆之外,本文还探讨了犹太人如何在历史更悠久的民间和民族志博物馆中得到体现,这些博物馆的使命是代表波兰民族的历史文化。这些博物馆如何应对不断增长的内部压力,包括犹太人和重新考虑“波兰”的边界,以及重新思考民族志博物馆学的功能和方法的外部压力?以三个博物馆为基础,它们采取了三种不同的方式来对待犹太人——我们称之为犹太人的好奇之柜,两种孤独,和矛盾的外化——我们评估了继承的话语和结构以及博物馆内外的人类代理人所扮演的角色。我们阐明了在博物馆从19世纪范式向21世纪范式过渡的时刻,关于民族特征(以及犹太人在其中的地位)的社会辩论是如何在博物馆中发挥作用的,以及一条独特的波兰通往“新博物馆学”的道路是如何在与西方同行的对话和抵制中出现的。
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来源期刊
CiteScore
1.00
自引率
15.40%
发文量
0
审稿时长
16 weeks
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