Główne nurty w badaniach nad filmem i religią

Q4 Arts and Humanities Images (Poland) Pub Date : 2021-12-15 DOI:10.14746/i.2021.39.01
Adam Domalewski
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引用次数: 1

Abstract

The article is a meta-study and provides an original typology of research on film and religion, based on Polish and English academic sources. The author proposes to divide this field of research into four main domains, which he names successively: substantial-theological, anthropological-mythological, socio-cultural and post-secular. The following descriptive criteria were used to introduce this division: the relationship between religion and culture adopted (usually implicitly) in a given direction of research, the concept of both human and religion emerging from them, and the established subject and scope of research, as well as the basic set of tools used within them. The proposed systematic is intended to help capture the significant differences between the main types of research on film and religion, both in terms of research assumptions, methods of analysis, and set goals.
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本文是一项元研究,基于波兰和英国的学术资料,提供了电影和宗教研究的原始类型学。作者建议将这一研究领域划分为四个主要领域,并依次命名为:实体-神学、人类学-神话、社会-文化和后世俗。以下描述标准用于介绍这种划分:在特定研究方向中采用的(通常是隐含的)宗教与文化之间的关系,从中产生的人类和宗教的概念,确定的主题和研究范围,以及其中使用的基本工具集。所提出的系统旨在帮助捕捉电影和宗教研究的主要类型之间的显著差异,无论是在研究假设,分析方法和设定目标方面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Images (Poland)
Images (Poland) Arts and Humanities-Visual Arts and Performing Arts
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