Threshold and impasse: excavating the maternal defense in Sandor Ferenczi's Clinical Diary.

K. Schwarzenbach
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引用次数: 2

Abstract

Three dramatic conflicts emerge from Sandor Ferenczi’s Clinical Diary, when the Diary is analyzed as if it were a literary text. Using the interlocking symbols of the threshold and the impasse as an Ariadne’s thread to guide us through the Diary’s complexities, we can trace Ferenczi’s journey to intense self-awareness in the penultimate year of his life. These three conflicts are (1) the conflict between Freud and Ferenczi, (2) the conflicts experienced by Ferenczi and his patients in his work in mutual analysis, and (3) Ferenczi’s internal conflicts uncovered in the process of mutual analysis, resulting in his discovery of what I call “the maternal defense.” “The maternal defense” is an elaborate constellation, developed by Ferenczi over the course of his life to protect him from acknowledgment of his unconscious hatred and fear of women. Excavation of this defense created space ample enough to contain ambivalent feelings toward both women and Freud. Traditionally, the threshold is a “symbol of transition and transcendence . . . the function of the threshold is clearly to symbolize both the reconciliation and the separation of the two worlds of the profane and
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门槛与僵局:挖掘桑德尔·费伦齐临床日记中的母性防御。
桑多·费伦齐的《临床日记》中出现了三个戏剧性的冲突,当《日记》被当作文学文本来分析时。用门槛和僵局的连锁符号作为阿里阿德涅的线索来引导我们穿越日记的复杂性,我们可以追溯到费伦齐在他生命的倒数第二年强烈的自我意识之旅。这三种冲突分别是:(1)弗洛伊德与费伦齐之间的冲突;(2)费伦齐与他的病人在相互分析工作中所经历的冲突;(3)费伦齐在相互分析过程中所揭示的内在冲突,从而发现了我称之为“母性防御”的东西。“母性防御”是一个精心设计的组合,是费伦齐在他的一生中发展起来的,目的是保护他不承认自己对女性无意识的仇恨和恐惧。对这种辩护的挖掘创造了足够的空间来容纳对女性和弗洛伊德的矛盾情感。传统上,门槛是“过渡和超越的象征”。门槛的作用显然象征着世俗和世俗两个世界的和解和分离
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