Indigenous Food Sovereignty in the United States: Restoring Cultural Knowledge, Protecting Environments, and Regaining Health ed. by Devon A. Mihesuah and Elizabeth Hoover (review)

Kathie L. Beebe
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引用次数: 12

Abstract

The Solomon R. Guggenheim Museum in New York City, dating to 1959, is considered a masterpiece of the American architect Frank Lloyd Wright (Fig. 1). However, when it was first completed, it was not the recognized icon of Modernism that it is today. Instead, because of its prominent location across from Central Park on Fifth Avenue between East 88 and 89 Streets, it was considered an aberration by the Upper East Side’s wealthy class. It did not fit in with their taste for classicism, or into Manhattan’s relentless street grid. However, over the years, the building was accepted not only as an attraction to the neighborhood, but also as the largest artifact in the museum’s collection. It has become the second most visited site in New York City after the Statue of Liberty. It is now celebrated as a National Historic Landmark, and in 1979, it became the youngest building to be designated as an individual landmark by the New York City Landmarks Preservation Commission.
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《美国土著食物主权:恢复文化知识、保护环境和恢复健康》,德文·a·米赫苏亚和伊丽莎白·胡佛主编(评论)
纽约的所罗门·r·古根海姆博物馆建于1959年,被认为是美国建筑师弗兰克·劳埃德·赖特(Frank Lloyd Wright)的杰作(图1)。然而,当它第一次完工时,它并不是今天公认的现代主义标志。相反,由于它位于东88街和89街之间的第五大道中央公园对面的显赫位置,它被上东区的富裕阶层视为一种异类。它不符合他们对古典主义的品味,也不符合曼哈顿无情的街道网格。然而,多年来,这座建筑不仅被认为是附近的一个景点,而且是博物馆收藏中最大的文物。它已成为纽约市访问量第二大的景点,仅次于自由女神像。它现在被誉为国家历史地标,1979年,它成为纽约市地标保护委员会指定的最年轻的建筑。
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