Perspectives on moral ambiguity and character education in the drama classroom

Robyn Shenfield
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引用次数: 1

Abstract

Abstract In this paper, I argue that certain drama education practices pedagogically trouble didactic moral instruction and offer open and fertile ground for the exploration of morally ambiguous dilemmas. Referring primarily to the work of Joe Winston, I posit that theories of drama as moral education point to the desirability of an open moral agenda, and particularly that context and cultural specificity are essential when attempting to understand and experience moral issues in the classroom. In order to illuminate this issue I refer specifically to I’m Too Old for a Trike Now, a story drama structure by Carole Miller and Juliana Saxton. This story drama showcases the openness of the dramatic form and its effectiveness for meaningful exploration of moral ambiguities. I contend that it is through open and affective drama pedagogy that critical reflection and a more mature level of understanding is able to develop.
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道德歧义与戏剧课堂品格教育之透视
本文认为,某些戏剧教育实践在教学上干扰了道德说教,为道德模糊困境的探索提供了开放和肥沃的土壤。主要参考乔·温斯顿的作品,我认为戏剧作为道德教育的理论指出了开放道德议程的可取性,特别是当试图理解和体验课堂上的道德问题时,背景和文化特殊性是必不可少的。为了阐明这一问题,我特别提到了Carole Miller和Juliana Saxton创作的故事剧《I’m Too Old for a Trike Now》。这部故事剧展示了戏剧形式的开放性及其对道德歧义进行有意义探索的有效性。我认为,只有通过开放和情感的戏剧教学,批判性反思和更成熟的理解水平才能得到发展。
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