Ukrainian theatre during the current war

IF 0.1 0 THEATER Stanislavski Studies Pub Date : 2022-07-03 DOI:10.1080/20567790.2022.2115601
Anastazie Toros
{"title":"Ukrainian theatre during the current war","authors":"Anastazie Toros","doi":"10.1080/20567790.2022.2115601","DOIUrl":null,"url":null,"abstract":"ABSTRACT Use of creativity in places of conflict is an essential base for the survival of individuals. Theatre can be produced during wartime, and it should be an ongoing process. Until the end of the conflict is in sight, artists need a platform to share and transform their ideas into reality. The violence can be filtered through a process of self-reflection and analysis; despair can be changed into hope and songs, sadness into opportunity and new openings. People should keep believing in their freedom – and theatre is just the right place to be free.This series of interviews concerns Ukrainian Theatre since the invasion of Ukraine on 24 February 2022. The interviews highlight the current thinking among people deeply involved on how to respond to the current conflict in different contexts and how to present the material to Ukrainian and international audiences.","PeriodicalId":40821,"journal":{"name":"Stanislavski Studies","volume":"155 1","pages":"177 - 185"},"PeriodicalIF":0.1000,"publicationDate":"2022-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Stanislavski Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/20567790.2022.2115601","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0

Abstract

ABSTRACT Use of creativity in places of conflict is an essential base for the survival of individuals. Theatre can be produced during wartime, and it should be an ongoing process. Until the end of the conflict is in sight, artists need a platform to share and transform their ideas into reality. The violence can be filtered through a process of self-reflection and analysis; despair can be changed into hope and songs, sadness into opportunity and new openings. People should keep believing in their freedom – and theatre is just the right place to be free.This series of interviews concerns Ukrainian Theatre since the invasion of Ukraine on 24 February 2022. The interviews highlight the current thinking among people deeply involved on how to respond to the current conflict in different contexts and how to present the material to Ukrainian and international audiences.
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
当前战争期间的乌克兰战区
在冲突中发挥创造力是个体生存的必要基础。戏剧可以在战时制作,而且应该是一个持续的过程。在冲突结束之前,艺术家们需要一个平台来分享他们的想法并将其转化为现实。暴力可以通过自我反思和分析的过程来过滤;绝望可以变成希望和歌曲,悲伤可以变成机会和新的机会。人们应该继续相信他们的自由,而剧院正是自由的最佳场所。这一系列采访涉及乌克兰剧院自2022年2月24日入侵乌克兰以来的情况。这些采访突出了深入参与的人们对如何在不同背景下应对当前冲突以及如何向乌克兰和国际观众呈现材料的当前想法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.50
自引率
0.00%
发文量
18
期刊最新文献
It is No Coincidence: HAMLET – An Actor Prepares (Three Hundred Years Before Stanislavsky?) Reading Stanislavsky from a Stage Lighting Designer’s Point of View: Stanislavsky’s Notes on the Dramaturgy of Light Stanislavsky and Actor Training for the Screen/Stanislavsky and America The Studio on Povarskaia 1905: “Young Theatre of Searching” Stanislavsky and Race: Questioning the “System” in the 21st Century
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1