Situating Global Art

Image Pub Date : 2018-06-27 DOI:10.14361/9783839433973
Sarah Dornhof, Nanne Buurman, Birgit Hopfener, Barbara Lutz
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引用次数: 1

Abstract

In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.
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全球艺术定位
近年来,“全球艺术”一词成为当代艺术话语中的流行语。超越佳能扩展的附加概念,本卷鼓励对复杂的美学、文化、历史、政治、认识论和社会经济影响进行差异化的探究,这两个术语全球艺术本身和它所包含的实践。关注艺术、策展、史学和批评的不同例子,贡献不仅考虑到(新的)霸权和排斥,而且考虑到跨文化艺术生产、流通和接受的变化条件。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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