„Człowiek jest czemś, co przezwyciężone być powinno”. Dyskurs historiozoficzny 2001: Odysei kosmicznej

Q4 Arts and Humanities Images (Poland) Pub Date : 2021-03-31 DOI:10.14746/I.2020.37.03
Konrad Klejsa
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Abstract

Drawing upon classic works on Kubrick’s 2001, the author ponders various strategies of interpretation which have been adopted to decipher the film’s discourse. The title category of historiosophy indicates one of the possible interpretational paths: the one associated with the Nietzschean notion of humankind stuck in a liminal stage between an animal and the overman. The author claims that such an understanding was typical of the late 1960s, and he pursues his argument with a close analysis of several sequences from the film, focusing on the formal devices which present the human protagonists as weak and lackluster, while the animal, the technological and the extraterrestrial characters are depicted as vital and irrepressible.
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借鉴库布里克2001年的经典作品,作者思考了解读电影话语所采用的各种解读策略。历史哲学的标题范畴表明了一种可能的解释途径:一种与尼采关于人类的概念有关,人类被困在动物和超人之间的界限阶段。作者声称,这种理解是20世纪60年代末的典型,他通过对电影中的几个片段的仔细分析来阐述他的论点,重点是将人类主角呈现为软弱和平淡无奇的形式装置,而将动物,技术和外星人角色描绘为至关重要和不可抑制的。
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Images (Poland)
Images (Poland) Arts and Humanities-Visual Arts and Performing Arts
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