Systematic reflections upon the Christ images in some modern Western films

M. Brinkman
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Abstract

All of the images applied to Jesus in the New Testament have as their context the religious world of that time. So, there was a vivid interaction between gospel and culture. Especially in Western culture, however, that seems not anymore the case. This lack of interaction might be one of the main crises of Western theology. Could modern Jesus films fill in this gap and offer new, useful images? Partly, they do indeed. Referring to films like Babette’s Feast , A Short Film About Love and Breaking the Waves is shown that filmmakers often have more tools at their disposal to express the meaning of Jesus Christ in Western culture than theologians have.
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对现代西方电影中基督形象的系统思考
新约中所有应用在耶稣身上的形象都有当时宗教世界的背景。因此,福音和文化之间有一种生动的互动。然而,特别是在西方文化中,这种情况似乎已不复存在。这种缺乏互动可能是西方神学的主要危机之一。现代耶稣电影能否填补这一空白,提供新的、有用的形象?在一定程度上,他们确实做到了。以《巴贝特的盛宴》、《爱与破浪》等电影为例,电影制作人往往比神学家拥有更多的工具来表达西方文化中耶稣基督的意义。
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