An alphabet of colors

A. Lehmann
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引用次数: 1

Abstract

A close reading of the first handbook for teachers written in the Dutch Republic by Dirck Adriaensz Valcooch and the color recipes it contained, offers some answers to broader questions concerning the role of art making in general education: was the broad literacy movement in the Protestant Republic beneficial to creative practices? Did the ubiquitous presence of art works support the emergence of practice-based learning? And were pedagogical and artistic expertise related when it came to teaching art? In order to move the teacher’s manual closer to the domain of art history, this article first addresses the difficulties that instructive descriptions of color-related processes posed for Karel van Mander and others, and then briefly looks at how general education welcomed or discouraged creative practices before and around 1600. The analysis of Valcooch’s chapter on ink and paint against the background of wider pedagogical developments, argues that educational writings can significantly add to our understanding about how the artistic use of colors was conveyed in teaching.
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颜色的字母表
仔细阅读Dirck Adriaensz Valcooch在荷兰共和国编写的第一本教师手册以及其中包含的颜色配方,可以回答有关艺术创作在普通教育中的作用的更广泛问题:新教共和国的广泛识字运动是否有利于创造性实践?无处不在的艺术作品是否支持了基于实践的学习的出现?当涉及到艺术教学时,教学和艺术专业知识是否相关?为了使教师手册更接近艺术史领域,本文首先解决了卡雷尔·范·曼德等人对色彩相关过程的指导描述所带来的困难,然后简要介绍了1600年前后普通教育是如何欢迎或阻碍创造性实践的。在更广泛的教学发展背景下,对瓦尔库奇关于墨水和绘画的章节的分析认为,教育著作可以显著地增加我们对颜色的艺术使用如何在教学中传达的理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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自引率
50.00%
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