Commodifying art, Chinese style: The making of China’s visual art market

Jun Zhang
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引用次数: 6

Abstract

The economic value of art to cities and regions has recently been vigorously pursued and actively studied. The rapid ascendance of China as a superpower in the global art market and associated transformation of China’s art space, however, are yet poorly understood. This paper develops a Polanyian framework to interpret the spatial and institutional evolution of China’s art market, seeing the (de)commodification of art as a cumulative process embedded in geo-historical interplays of triple logics—cultural, capital, and political, unfolding within, and reshaping in turn, historically inherited spatial structures.
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艺术商品化,中国风格:中国视觉艺术市场的形成
艺术对城市和地区的经济价值最近得到了大力的追求和积极的研究。然而,对于中国作为全球艺术市场超级大国的迅速崛起,以及与之相关的中国艺术空间的转型,人们却知之甚少。本文发展了一个波兰框架来解释中国艺术市场的空间和制度演变,将艺术的(去)商品化视为嵌入在文化、资本和政治三重逻辑的地缘历史相互作用中的累积过程,在历史上继承的空间结构中展开,并依次重塑。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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