Art and Protest in Kazakhstan

IF 2.4 4区 历史学 Q1 INTERNATIONAL RELATIONS Current History Pub Date : 2022-10-01 DOI:10.1525/curh.2022.121.837.271
Diana T. Kudaibergenova
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Abstract

Recent events in Kazakhstan show that political art has the potential to be a potent form of protest in some of the most authoritarian states in contemporary Central Asia. After the collapse of the Soviet Union, artists in Kazakhstan and elsewhere in the region began turning away from the canon of Socialist Realist art, with its sole aim of serving the regime and depicting its visions of the future. New forms of contemporary art emerged, drawing sharp contrasts with official art in form, content, and culture, as more artists insisted on freedom from state patronage and control. In the political upheaval following the resignation of long-ruling President Nursultan Nazarbayev, artists have inspired protests with pointed critiques.
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哈萨克斯坦的艺术与抗议
哈萨克斯坦最近发生的事件表明,在当代中亚一些最专制的国家,政治艺术有可能成为一种有力的抗议形式。苏联解体后,哈萨克斯坦和该地区其他地方的艺术家开始偏离社会主义现实主义艺术的经典,后者的唯一目的是为政权服务,描绘其对未来的愿景。随着越来越多的艺术家坚持摆脱国家的庇护和控制,新的当代艺术形式出现了,与官方艺术在形式、内容和文化上形成了鲜明的对比。在长期执政的总统纳扎尔巴耶夫(Nursultan Nazarbayev)辞职后的政治动荡中,艺术家们用尖锐的批评激发了抗议活动。
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来源期刊
Current History
Current History Multiple-
CiteScore
1.60
自引率
0.00%
发文量
57
期刊介绍: Current History enjoys a unique place among America"s most distinguished periodicals.The oldest US publication devoted exclusively to world affairs, Current History was founded by The New York Times in 1914 to provide detailed coverage of what was then known as the Great War. As a privately owned publication, Current History has continued a long tradition of groundbreaking coverage, providing a forum for leading scholars and specialists to analyze events and trends in every region of a rapidly changing world.
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