Facing Your Fears: Navigating Social Anxieties and Difference in Contemporary Fairy Tales

IF 0.2 0 LITERATURE Childrens Literature Pub Date : 2023-09-04 DOI:10.3390/literature3030023
Dorothea Trotter
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Abstract

In the 20th and 21st centuries, the rise of audio-visual media, particularly cinema and television, brought about new visual techniques and storytelling conventions that have transformed the way fairy tales are adapted for the screen. Initially adapted for a younger audience, newer adaptations often return to the darker and more horrific elements of the source texts; this includes body horror and an emphasis on physiological differences. This article employs structural, cultural, and folkloric interpretive lenses for the analysis of three contemporary, audio-visual fairy tales to discuss the way contemporary fairy tales include disability and difference as social constructs that are shaped by cultural attitudes and anxieties. The stories’ plots are driven by the protagonists’ “otherness”, and these texts feature transformations that provide clues to understanding current standards of beauty and normality. I argue that newer adaptations place an emphasis on finding resolutions to difference that challenge the traditional idea that if one has a face or body that strays from the standard of the norm, one must die, relegate oneself to the margins, or join others like oneself.
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面对你的恐惧:驾驭社会焦虑和当代童话的差异
在20世纪和21世纪,视听媒体,特别是电影和电视的兴起,带来了新的视觉技术和讲故事的传统,改变了童话改编成电影的方式。最初是为年轻观众改编的,较新的改编通常会回归原著中更黑暗、更恐怖的元素;这包括对身体的恐惧和对生理差异的强调。本文运用结构、文化和民俗的解释视角对三个当代视听童话进行分析,探讨当代童话是如何将残疾和差异作为一种由文化态度和焦虑塑造的社会结构。这些故事的情节是由主人公的“他者性”驱动的,这些文本的特征转变为理解当前的美和正常标准提供了线索。我认为,新的适应方式强调找到解决差异的方法,挑战传统观念,即如果一个人的脸或身体偏离了标准,他就必须死亡,将自己降至边缘,或者加入像自己一样的人。
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Childrens Literature
Childrens Literature LITERATURE-
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