The *.* Group’s contribution to the development of technological art in Brazil

A. Moroni
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Abstract

The author describes three interactive installations presented by the *.* Group from the turn of the Eighties to the Nineties. The first installation, Fractal Art, explored the fractal theme through various mediums, including images, music, sculpture, video and photoelectric sensors. The second installation, Foreseen Variations, featured a robot performing a choreography with a dancer in an environment equipped with a camera and TV sets, allowing the audience to be immersed in a virtual performance. The third installation, Aurora Beings, was a continuation of the previous one, where young people could program a choreography for the robot and act as both artists and engineers within the environment.
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*。*集团对巴西科技艺术发展的贡献
作者介绍了*. .* 80年代初到90年代的组合。第一个装置作品《分形艺术》通过图像、音乐、雕塑、视频和光电传感器等多种媒介探索了分形主题。第二个装置作品《预见的变化》(foresee Variations)展示了一个机器人与一名舞者在一个配有摄像机和电视机的环境中表演舞蹈,让观众沉浸在虚拟表演中。第三个装置,极光生物,是前一个的延续,年轻人可以为机器人编程,并在环境中扮演艺术家和工程师的角色。
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