Mutations de l’espace public dans les anciens tissus – Cas du Palis (Ksar) Sidi Boutkhil de Ain Safra, Algérie

Hadj Abdelkader, Feloussia Lahcene, M. Tarek
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Abstract

The ancient fabrics of ancient palaces represented by ksour in the desert Algerian have architectural and urban characteristics similar to hose of many cities along the sub-Saharan Africa, that researchers call "Saharan urbanism or desert." These features are related to public spaces within the palaces which are considered as str ong urban elements that ensure the links between the different units of the fabric and struct ure of the palace where the social cohesion and exchanges between residents happens. The ksar is a striking example, who lived the same c ircumstances, but this architectural heritage remains marginalized and not integrated in urban projects in the city, or supported by the local community in development plans to restore and improve living conditions in this area palace. The impact of natural factors and intervent io of some residents of the palace to connect their homes to different networks without consideri ng the architectural value of this type of heritage and introduction of new building materials by some r esidents to repair or rebuild their homes without taking into consideration the architectural elements characterizing the palace are analysed. This state of the palace has led us to question the role currently played by traditional public spaces of ksar which are considered life art eries inside the it. How to act on the future of these spaces in order to preserve the identity expr essed through each of these components?
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旧组织中的公共空间突变——以阿尔及利亚Ain Safra的Palis (Ksar) Sidi Boutkhil为例
以阿尔及利亚沙漠中的ksour为代表的古代宫殿的古老结构具有与撒哈拉以南非洲许多城市相似的建筑和城市特征,研究人员称之为“撒哈拉城市主义或沙漠”。这些特征与宫殿内的公共空间有关,这些公共空间被认为是强大的城市元素,确保了宫殿结构和结构的不同单元之间的联系,在这里发生了居民之间的社会凝聚力和交流。ksar是一个引人注目的例子,他们生活在同样的环境中,但这些建筑遗产仍然被边缘化,没有融入城市的城市项目,也没有得到当地社区在发展计划中的支持,以恢复和改善该地区宫殿的生活条件。分析了自然因素的影响和一些宫殿居民在没有考虑这类遗产的建筑价值的情况下将他们的家连接到不同的网络,以及一些居民在没有考虑宫殿特征的建筑元素的情况下引入新的建筑材料来修复或重建他们的家。宫殿的这种状态使我们质疑ksar传统公共空间目前所扮演的角色,这些空间被认为是其中的生活艺术系列。如何对这些空间的未来采取行动,以保持通过每个组成部分表达的身份?
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