Constructing Human Identity and Writing the Past in Minh Tran Huy's Voyageur malgré lui Hors sujet : identité humaine et écriture du passé dans Voyageur malgré lui de Minh Tran Huy

IF 0.1 N/A LITERATURE, ROMANCE ZEITSCHRIFT FUR FRANZOSISCHE SPRACHE UND LITERATUR Pub Date : 2018-10-01 DOI:10.25162/zfsl-2018-0003
Nathan Bracher
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Abstract

From the compelling story of her father growing up amid the horrors of the Vietnam war and finally escaping to become an engineer in France, Minh Tran Huy, in her novel Voyageur malgre lui (2014), strings together a set of seemingly heterogeneous narratives that in fact serve to (re)construct and (re)affirm the human identity of both the narrator and her entire Vietnamese family, and ultimately of the human being as such. This highly original approach to a traumatic past moreover features prominent themes articulated by Emmanuel Levinas in Humanisme de l’autre homme (1972), which responds to the Structuralists’ radical criticism of subjectivity. At the same time, our appreciation of Minh Tran Huy’s powerful work gains in scope and intensity when we gauge its aesthetic impact and philosophical resonance.
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在Minh Tran Huy的《Voyageur malinvent》中构建人类身份和书写过去离题:Minh Tran Huy的《Voyageur malinvent》中人类身份和书写过去
明陈辉(Minh Tran Huy, 2014)的小说《malgre lui航海者》(Voyageur malgre lui)讲述了她父亲在越南战争的恐怖中长大,最终逃到法国成为一名工程师的引人入胜的故事,从这个故事开始,她把一系列看似异类的叙事串联在一起,实际上是为了(重新)建构和(重新)肯定叙述者和她整个越南家庭的人类身份,最终是人类本身的身份。这种对创伤性过去的高度原创的方法,更突出了伊曼纽尔·列维纳斯在《人的人道主义》(1972)中所阐述的突出主题,它回应了结构主义者对主体性的激进批评。与此同时,当我们衡量其美学影响和哲学共鸣时,我们对明陈辉强大作品的欣赏在范围和强度上都有所增加。
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