Johan Niklas Byström och Bengt Erland Fogelberg : samtidiga svenska skulptörer i rom

IF 0.2 2区 艺术学 0 ART KONSTHISTORISK TIDSKRIFT Pub Date : 1998-01-01 DOI:10.1080/00233609808604454
Lennart Pettersson
{"title":"Johan Niklas Byström och Bengt Erland Fogelberg : samtidiga svenska skulptörer i rom","authors":"Lennart Pettersson","doi":"10.1080/00233609808604454","DOIUrl":null,"url":null,"abstract":"Summary Johan Niklas Bystrom and Bengt Erland Fogelberg: Two Swedish Sculptors in Rome The present article concerns the Swedish sculptors Johan Niklas Bystrom and Bengt Erland Fogelberg, both of whom worked in Rome during the first half of the 19th century: Bystrom from 1810 to 1848 and Fogelberg from 1821 to 1854. Research in art history has characterized the relationship between the two sculptors as marked by conflict, both on the artistic level and, above all, on the personal level. In this essay I have shown that while this may have been the case in the initial stages of their acquaintance, any conflict between the two of them eventually dissapated. Instead, Bystrom and Fogelberg helped one another in different ways. The conflict which indeed existed had its basis in competition over important commissions, certain personal antagonisms, and artistic differences in an age characterized by the choice between Classicism and Romanticism. Furthermore, it is interesting to note that both sculptors took on th...","PeriodicalId":41575,"journal":{"name":"KONSTHISTORISK TIDSKRIFT","volume":"4 1","pages":"93-114"},"PeriodicalIF":0.2000,"publicationDate":"1998-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"KONSTHISTORISK TIDSKRIFT","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00233609808604454","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0

Abstract

Summary Johan Niklas Bystrom and Bengt Erland Fogelberg: Two Swedish Sculptors in Rome The present article concerns the Swedish sculptors Johan Niklas Bystrom and Bengt Erland Fogelberg, both of whom worked in Rome during the first half of the 19th century: Bystrom from 1810 to 1848 and Fogelberg from 1821 to 1854. Research in art history has characterized the relationship between the two sculptors as marked by conflict, both on the artistic level and, above all, on the personal level. In this essay I have shown that while this may have been the case in the initial stages of their acquaintance, any conflict between the two of them eventually dissapated. Instead, Bystrom and Fogelberg helped one another in different ways. The conflict which indeed existed had its basis in competition over important commissions, certain personal antagonisms, and artistic differences in an age characterized by the choice between Classicism and Romanticism. Furthermore, it is interesting to note that both sculptors took on th...
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
本文关注的是瑞典雕塑家约翰·尼克拉斯·比斯特罗姆和本特·厄兰·福格尔伯格,他们两人都在19世纪上半叶在罗马工作:比斯特罗姆从1810年到1848年,福格尔伯格从1821年到1854年。艺术史研究表明,这两位雕塑家之间的关系以冲突为标志,无论是在艺术层面上,还是在个人层面上。在这篇文章中,我已经表明,虽然在他们相识的最初阶段可能是这种情况,但他们两人之间的任何冲突最终都会消失。相反,拜斯特罗姆和福格尔伯格以不同的方式互相帮助。这种冲突确实存在,其基础是在一个以古典主义和浪漫主义之间的选择为特征的时代,对重要委托的竞争、某些个人对立和艺术上的差异。此外,有趣的是,两位雕塑家都采用了……
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.30
自引率
0.00%
发文量
17
期刊介绍: Konsthistorisk tidskrift/Journal of Art History includes investigations on art, architecture, and visual culture. We welcome articles on works, creators, and specific themes, as well as on theory and historiography. Accepted articles can be thorough explorations of a topic in accordance with a standard academic genre. We also welcome texts in a shorter, less finished format, functioning as openings to discussions.
期刊最新文献
Seeing Red: Menstrual Art and Political Portraiture in the Trump Era Spiritual transcendence and androgyny within Swedish and Finnish transnational SymbolismBirte Bruchmüller. Spiritual transcendence and androgyny within Swedish and Finnish transnational Symbolism , Möklinta, Gidlunds Förlag, 2022. 344 pp, ISBN 978 91 7844 495 3 Colonial Objects in Early Modern Sweden and Beyond. From the Kunstkammer to Current Museum Crisis American Art at the 1897 Stockholm Exhibition Cinderella and the Big Monster: Mail Art and the Museum
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1