{"title":"The policy landscape","authors":"Susan L. Siegfried","doi":"10.1787/d5895157-en","DOIUrl":null,"url":null,"abstract":"Part of a symposium on how digital technologies affect the practices of art and art history. The rapid expansion of information technology (IT) is having an impact on the ways that information about cultural subjects is created, organized, used, and stored, which in turn directly affect museums, the art market, arts organizations, government agencies, universities, and, increasingly, academics, artists, curators, and dealers. The IT revolution has generated a dynamic between, on the one hand, extreme fragmentation and multiplication of efforts, and, on the other, a need to define policies that will help chart a path through the chaos and rush. The writer studies the effectiveness of five groups—the European Union, the G7, Protecting Cultural Objects in the Global Information Society, the National Initiative for a Networked Cultural Heritage, and the Arts and Humanities Data Service—specifically formed to make policy in this area.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"42 1","pages":"209-213"},"PeriodicalIF":0.4000,"publicationDate":"2022-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1787/d5895157-en","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 5
Abstract
Part of a symposium on how digital technologies affect the practices of art and art history. The rapid expansion of information technology (IT) is having an impact on the ways that information about cultural subjects is created, organized, used, and stored, which in turn directly affect museums, the art market, arts organizations, government agencies, universities, and, increasingly, academics, artists, curators, and dealers. The IT revolution has generated a dynamic between, on the one hand, extreme fragmentation and multiplication of efforts, and, on the other, a need to define policies that will help chart a path through the chaos and rush. The writer studies the effectiveness of five groups—the European Union, the G7, Protecting Cultural Objects in the Global Information Society, the National Initiative for a Networked Cultural Heritage, and the Arts and Humanities Data Service—specifically formed to make policy in this area.
期刊介绍:
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December