“Я есмь“ – Stanislavski and Solovyov

IF 0.1 0 THEATER Stanislavski Studies Pub Date : 2020-01-02 DOI:10.1080/20567790.2019.1700733
M. Musilová
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引用次数: 1

Abstract

ABSTRACT The paper discusses the cultural context of the expression „Я есмь“/”I am being” in Stanislavski system and his book An Actor’s Work: A Student’s Diary – part 1. It explains the relation of this term to the concepts of acting of experiencing (переживание) and supertask (сверхзадача) and Vladimir Solovyov’s philosophy. The connection between Stanislavski’s system, the acting of experiencing and orthodox liturgy can be understood through the perspective of Vladimir Solovyov’s book Lectures on Godmanhood (1878–1881) which might have been known to Stanislavski as Solovyov played a crucial role in Russian culture at the end of the 19th century.
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本文探讨了斯坦尼斯拉夫斯基体系中“Я есмь”/“我在”这一表达的文化语境及其著作《一个演员的作品:一个学生日记(上)》。它解释了这个术语与经验的行为(переживание)和超级任务(сверхзадача)以及弗拉基米尔·索洛维约夫的哲学概念的关系。斯坦尼斯拉夫斯基的体系,体验行为和正统礼仪之间的联系可以通过弗拉基米尔·索洛维约夫的书《神人讲座》(1878-1881)来理解,斯坦尼斯拉夫斯基可能知道,索洛维约夫在19世纪末的俄罗斯文化中发挥了至关重要的作用。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
18
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