The cult of the tengries in archival materials of the Center of oriental manuscripts and xylographs of the IMBT SB RAS

L. D. Dashieva, S. B. Miyagasheva
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Abstract

An important role in preserving the ethnic and cultural identity of the Buryat ethnos is acquired by traditional culture and a unique historical and cultural heritage, in which a special place is occupied by works of a shamanic cult. In this regard, the study of the phenomenon of the cult of the tengries, shamanic hymns and invocations, as well as shamanic rituals of the Buryats, often lost or modified, their reconstruction becomes obvious urgency and timeliness. The article is devoted to the study of the shamanic cult of the tengries in the archival materials of the Center of Oriental manuscripts and xylographs of the IMBT SB RAS. For the first time in Russian and foreign Mongolian studies an attempt is made to systematize handwritten sources in the Old Mongolian written, Buryat and Russian languages and comprehensively present the materials of the richest funds of the archive. In the archive fund, three groups are revealed: the general fund, the Mongolian fund and the phonofund. The database of the study of the cult of the tengries became materials of more than 116 sources, containing information from the general archive fund in Buryat and Russian (more than 100) and the Mongolian fund (16 sources) translated by the authors of the article from the old Mongolian written into Russian. The materials of the general fund reflect the diversity of shamanic rituals of the Buryats as a whole. Thematic groups such as mythology and uranium genealogy, hymns and texts of shamanic conscription and ritual practice are highlighted for revealing the specific motives of the cult of the tengries. This fund, which is kept in the manuscript department is the heritage of ethnographers, religious scholars, linguists and folklorists. The Mongolian Fund is represented by unique samples of texts of buddhist-shamanic ritual practice. It is determined that such rituals, connected with veneration of tengri, are the basis on the ritual of burning incense named san. These texts refer to the syncretic ritual practice, and represent records of hymns, prayers and descriptions of sacrificial rites to shamanic deities and ancestral spirits included in the Buddhist pantheon of deities. Manuscripts in the Old Mongolian language are a valuable historical and cultural source, revealing the phenomenon of written heritage of the Mongolian peoples. The collection of audio records of shamanic hymns, invocations, spells, stored in the phonofund of the archive of the IMBT SB RAS, which have value as a phenomenon of the ritual shamanic poetry of the Buryats, is singled out. The differentiation of audio samples into ritual singing and foul (narrative) genres is defined. Samples of audio recordings of the shamanic poetry dedicated to the cult of the tengries are systematized into the shamanic calls of the boogei durdalga and shamanic songs of boogei duunuud. It is revealed that the sound or acoustic code is of particular importance in the music of the shamanic cult, and in this connection the question of the correlation of the verbal and musical components in the shamanic invocations and hymns is touched upon.
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在IMBT SB RAS的东方手稿和木版中心的档案材料中对tengries的崇拜
传统文化和独特的历史和文化遗产在维护布里亚特民族的民族和文化特性方面发挥了重要作用,其中萨满教的作品占据了特殊的地位。在这方面,研究布里亚特人的萨满崇拜现象、萨满赞美诗和祈祷以及萨满仪式,往往丢失或修改,其重建变得明显的紧迫性和时效性。本文致力于研究IMBT SB RAS的东方手稿和木本中心的档案材料中对tengries的萨满崇拜。在俄罗斯和外国蒙古研究中,首次尝试将古蒙古文字、布里亚特语和俄语的手写资料系统化,并全面展示档案中最丰富的资金。档案基金分为三类:普通基金、蒙古基金和电话基金。tengries邪教研究数据库成为超过116个来源的材料,其中包含布里亚特和俄罗斯的一般档案基金(超过100个)和蒙古基金(16个来源)的信息,这些信息由文章作者从古老的蒙古语翻译成俄语。一般基金的材料从整体上反映了布里亚特人萨满仪式的多样性。主题组,如神话和铀家谱,赞美诗和萨满征兵和仪式实践的文本被强调,以揭示腾格里崇拜的具体动机。存放在手稿部的这笔资金是民族志学者、宗教学者、语言学家和民俗学家的遗产。蒙古基金以佛教-萨满教仪式实践的独特文本样本为代表。这是确定的,这种仪式,与崇拜腾日,是基础上的烧香仪式命名为三。这些文本涉及到融合的仪式实践,代表了赞美诗,祈祷和祭祀仪式的描述,其中包括佛教万神殿中的萨满教神和祖先的灵魂。古蒙古语手稿是宝贵的历史文化资源,揭示了蒙古民族文字遗产的现象。收藏在IMBT SB RAS档案音库中的萨满教赞美诗、祷文、符咒的音频记录,作为布里亚特人仪式萨满教诗歌的一种现象,具有一定的价值。将音频样本区分为仪式歌唱和犯规(叙事)类型。萨满诗歌的音频记录样本,致力于对tengries的崇拜,被系统化成萨满呼唤的boogei durdalga和boogei duunuud的萨满歌曲。它揭示了声音或声学代码在萨满崇拜的音乐中是特别重要的,在这方面,萨满祈祷和赞美诗中语言和音乐成分的相关性问题被触及。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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