Hyper-Consumerism and Abstract Landscape in Asia

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY International Journal of Fashion Studies Pub Date : 2019-01-01 DOI:10.38055/fs020106
Marie Geneviève Cyr, J. Jagoš
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Abstract

This project examines the politics of abstract desire, hyper-consumerism, and the notion of fantasy in the Asian and Chinese fashion industries. The fascination for logos is often rooted in nostalgia and is an important part of the visual landscape in popular culture. However, China’s replicas have been labeled as “imitations” or “knock-offs” by Western society. This paper focuses on abstracting the notion of hyper-consumerism and interrogating the relationship between visual advertisement, its materiality, and its representation in the global marketplace. How does advertising contribute to the production of consumer goods? Can we create a cyclical vision for new materials? How is the value of luxury created, displaced, transformed, and consumed via physical space? This project confronts the relevance of luxury and its banalization by proposing new relationships to consumption and examines the visual language of logos and their representation in society.
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亚洲的超消费主义与抽象景观
本项目探讨了亚洲和中国时尚产业中的抽象欲望、超消费主义和幻想概念。对标志的迷恋往往源于怀旧,是流行文化中视觉景观的重要组成部分。然而,中国的复制品被西方社会贴上了“模仿”或“仿冒”的标签。本文着重于抽象超消费主义的概念,并探讨视觉广告、其物质性及其在全球市场中的表现之间的关系。广告如何促进消费品的生产?我们能否为新材料创造一个周期性的愿景?奢侈品的价值是如何通过实体空间被创造、取代、转化和消费的?该项目通过提出与消费的新关系来面对奢侈品的相关性及其平庸化,并研究徽标的视觉语言及其在社会中的表现。
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来源期刊
International Journal of Fashion Studies
International Journal of Fashion Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.90
自引率
25.00%
发文量
25
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