“Likewise Masked”: Blackface and Whitewash in Melville’s “Benito Cereno”

IF 0.1 4区 文学 0 LITERATURE, AMERICAN Poe Studies-History Theory Interpretation Pub Date : 2006-01-12 DOI:10.1111/J.1754-6095.2006.TB00193.X
K. M. Scott
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引用次数: 1

Abstract

In December of 1855, Charles F. Briggs, the editor of Putnamk Monthly, published an editorial, “About Niggers,” in which he defended the presence of stories about Africans and African Americans in the short-lived magazine that provided a home for several of Melville’s influential novellas. Briggs ends his piece with an anecdote from a friend about Anthony Rox, an ex-slave and now a “superb enginedriver, on the Ohio river,” who, when asked how he came to be free, responded:
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“同样蒙面”:梅尔维尔《贝尼托·塞雷诺》中的黑脸与粉饰
1855年12月,《普特南克月刊》(Putnamk Monthly)的编辑查尔斯·f·布里格斯(Charles F. Briggs)发表了一篇社论《关于黑鬼》(About Niggers),他在社论中为这本短命的杂志中出现的关于非洲人和非裔美国人的故事进行了辩护,梅尔维尔的几部有影响力的中篇小说就是在这本杂志上发表的。布里格斯以一位朋友讲述的安东尼·罗克斯(Anthony Rox)的轶事结束了他的文章。安东尼曾是一名奴隶,现在是“俄亥俄河上的一名出色的司机”,当被问及他是如何获得自由的时候,他回答说:
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