Conceptual Foundations of Modern Mythology

Tetiana Oleksandrivna Tsepkalo
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Abstract

The objective of the article is to analyze theoretical and applied myth studies, to establish the role of myth in the process of mythopoeia, to identify the artistic work’s mythopoetic peculiarities that combine imaginative and emotional thinking, subconscious achievements of general culture, auteur worldviews, mythological schemes, structures, motives, symbols, means of poetic speech, etc.Investigation of mythological structures in the poet's artistic worldview system is the key to deciphering the in-depth meanings of the author's myth-thinking. This includes both broader worldwide and more specific ethnic-national cultural achievements along with the individual worldview features, which are formed on rational experience and integrate both actual and imagined reality. All components of the mythic consciousness at the sensory level are most frequently implemented in the works of literature. The universe is explained through ancient ideas and beliefs reflecting ontological and axiological concepts at the mental-verbal level. The mythopoetic analysis of the artistic text allows a more profound understanding and interpretation of the author’s worldview. It deals with immersing into the dimension of poetic allusions, deciphering the implicit code of the poet’s speech, identification of objective and subjective reasons to appeal to ethnocultural sources.The results obtained can be practically employed in teaching such disciplines as: “Theory of Literature”, “History of Literature of the 20th Century”, “Mythological and Neo-Mythological Schools in Literary Science”, as well as in the development of manuals and textbooks, in the study of the mythopoetics of an artistic work.The scientific novelty of this work lies in an improved scientific approach to the interpreting paradigm ofmyth, archetype, archetypal image, and mythology. The said approach promotes analysis of the methods of implementing the myth in the art of the twentieth century, its impact on the formation of the artist's narrative, and transforming it into literature mythologism.
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现代神话的概念基础
本文的目的是分析理论和应用神话研究,确立神话在神话创造过程中的作用,识别艺术作品的神话特征,包括想象与情感思维、一般文化的潜意识成就、作者的世界观、神话方案、结构、动机、符号、诗歌言语手段、考察诗人艺术世界观体系中的神话结构,是解读作者神话思维深层含义的关键。这既包括更广泛的世界性的,也包括更具体的民族文化成就,以及个体的世界观特征,这些世界观特征是在理性经验的基础上形成的,是现实与想象相结合的。感官层面的神话意识的所有组成部分最常出现在文学作品中。宇宙是通过古代的思想和信仰来解释的,这些思想和信仰反映了心理语言层面上的本体论和价值论概念。通过对艺术文本的神话分析,可以更深刻地理解和解读作者的世界观。它涉及沉浸在诗歌典故的维度中,破译诗人话语的隐含密码,识别客观和主观原因,以吸引民族文化来源。所得成果可实际应用于“文学理论”、“20世纪文学史”、“文学科学中的神话与新神话学派”等学科的教学,也可用于手册和教科书的编写、艺术作品的神话学研究。本文的科学新颖性在于对神话、原型、原型形象和神话的解释范式进行了改进的科学方法。这有助于分析神话在20世纪艺术中的实现方法,对艺术家叙事形成的影响,以及将其转化为文学神话主义。
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自引率
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期刊介绍: The growth of Applied Linguistics as a separate discipline is a success story of the 1950s. The field has developed in many parts of the world and is clearly destined to continue developing well into the twenty-first century. Being concerned with pragmatically motivated study of language in social and cultural settings, Applied Linguistics brings together work in a wide array of fields, including linguistics, literary studies, history, anthropology, psychology, sociology, and economics. The purpose of Journal of Research in Applied Linguistics is to contribute to the development of the field, reflect the breadth of work in Applied Linguistics, and enable readers to share in the exciting new developments that are taking place at the present time. Journal of Research in Applied Linguistics (RALs) invites all Iranian and foreign linguists, applied linguists, and teaching practitioners to contribute to the journal by submitting papers under the following main headings: Applied Linguistics Literary Studies Translation Studies.
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