Gravel cycling craft and the senses: scenes, sounds, vibrations, fatigue and typifications on off-road tracks

R. Cook, J. Hockey
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引用次数: 1

Abstract

ABSTRACT Although cycling has been researched at the interactional level, there is scant literature regarding embodiment, and the somatic experiences from rider-bike-ground interactions. Via an ethnographic approach using video obtained from participant observation as a “graveller” sensory practices are examined. Firstly, the research is positioned with the literature on craft studies. Secondly the domains of action namely space, place and the body are theorized and conceptualized. Thirdly, the sensory perceptions generated by gravel riders are depicted. Fourthly, these combined perceptions in turn foster the establishment of subcultural typifications of gravel tracks which are portrayed and form part of the craft knowledge of the above group. The paper concludes by pointing out the link between the sensory and the development of a particular consciousness, and also sport as a fertile ground for investigating craft practices.
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砾石自行车工艺和感官:场景,声音,振动,疲劳和典型的越野轨道
虽然自行车运动已经在互动层面进行了研究,但关于体现和骑手-自行车-地面互动的身体体验的文献很少。通过一种民族志方法,使用从参与者观察中获得的视频作为“砾石”的感官实践进行检查。首先,本研究定位于工艺学文献。其次,对作用域即空间、地点和身体进行了理论化和概念化。再次,描述了沙砾骑手所产生的感官感受。第四,这些综合的感知反过来促进了砾石轨道亚文化类型化的建立,这些亚文化类型化被描绘并形成了上述群体工艺知识的一部分。论文最后指出了感官与特定意识发展之间的联系,也指出了运动作为研究工艺实践的沃土。
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