Space Art: My Trajectory

IF 0.1 0 HUMANITIES, MULTIDISCIPLINARY Journal of Posthuman Studies-Philosophy Technology Media Pub Date : 2022-06-01 DOI:10.5325/jpoststud.6.1.0004
E. Kac
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Abstract

This essay traces the author’s trajectory in space art. It starts in 1986, when he first conceived of a holographic poem to be flown to deep space (scheduled for liftoff in 2023), and continues into the twenty-first century through several works, including Inner Telescope, realized with the cooperation of French astronaut Thomas Pesquet aboard the International Space Station (ISS) in 2017. The author discusses his theoretical and practical involvement with space-related materials and processes. Special attention is given to his space artwork Adsum, conceived for the Moon.
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太空艺术:我的轨迹
这篇文章追溯了作者在空间艺术方面的轨迹。它始于1986年,当时他第一次构思了一首全息诗,要飞到深空(计划于2023年发射),并通过几部作品延续到21世纪,包括2017年在国际空间站(ISS)上与法国宇航员托马斯·佩斯凯(Thomas Pesquet)合作实现的《内部望远镜》(Inner Telescope)。作者讨论了他对空间相关材料和工艺的理论和实践参与。特别值得注意的是他为月球设计的太空艺术品《Adsum》。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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