Brian Friel: Ireland’s Chekhov

IF 0.1 0 THEATER Stanislavski Studies Pub Date : 2021-05-26 DOI:10.1080/20567790.2021.1922228
N. Jones
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引用次数: 0

Abstract

ABSTRACT Brian Friel acquired the appellation 'Ireland’s Chekhov' or the 'Irish Chekhov' during the 1970s when critics began to comment on similarities in their respective dramaturgies. Here Friel’s 'affinities' with Chekhov are outlined through his several observations on the playwright; a brief examination of three of his own plays with Chekhovian echoes and resonances; the consideration of his 'translations' of major plays described as “after Chekhov”; and an introductory appraisal of an original piece where Friel invents a fictional 'afterlife' meeting for two of Chekhov’s characters from different plays.
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Brian Friel:爱尔兰的契诃夫
20世纪70年代,评论家们开始评论布赖恩·弗里尔在各自戏剧创作上的相似之处,因此他获得了“爱尔兰版契诃夫”或“爱尔兰版契诃夫”的称号。在这里,弗列尔与契诃夫的“亲缘关系”是通过他对这位剧作家的几次观察来概述的;简要考察他自己的三部带有契诃夫风格回声和共鸣的戏剧;他对被称为“后契诃夫”的主要戏剧的“翻译”的考虑;以及对一篇原创作品的介绍性评价,在这篇原创作品中,弗里尔为契诃夫在不同戏剧中饰演的两个角色创造了一个虚构的“来世”会面。
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来源期刊
CiteScore
0.50
自引率
0.00%
发文量
18
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