In Search of a Unit of Analysis for Designing Instruments

Q2 Arts and Humanities Artifact Pub Date : 2007-03-01 DOI:10.1080/17493460600610830
P. Béguin
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引用次数: 19

Abstract

A welcome topic of the new journal Artifact is to promote as a distinct academic field the transdisciplinary approaches centered on design research. One of the conditions for such a transdisciplinary approach is that the different actors recognize the specificity of the contributions of other actors and the complementary nature of their respective productions. In this essay, I will argue that the different contributions of experts in design must be completed by users’ constructive activity. More particularly, my focus is to search for a unit of analysis that helps to build shared references between users and designers. I will proceed in two steps. In the first, I will suggest that an instrument cannot be confused with an artifact, and that it is the user or the worker who gives to an artifact the status of an instrument. In a second step I will describe the design process as a dialogical process in the Bakhtinien sense. I will conclude with comments on “what is an artifact?”
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寻找仪器设计的分析单元
新期刊《Artifact》的一个受欢迎的主题是促进以设计研究为中心的跨学科方法作为一个独特的学术领域。这种跨学科方法的条件之一是,不同的参与者认识到其他参与者贡献的特殊性和他们各自作品的互补性。在这篇文章中,我将论证设计专家的不同贡献必须由用户的建设性活动来完成。更具体地说,我的重点是寻找有助于在用户和设计师之间建立共享参考的分析单元。我将分两步进行。首先,我将建议不能将仪器与工件混淆,并且是用户或工人赋予工件仪器的状态。在第二步中,我将把设计过程描述为Bakhtinien意义上的对话过程。我将以“什么是工件?”
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来源期刊
Artifact
Artifact Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
20 weeks
期刊最新文献
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