Group actions, power mean orbit size, and musical scales

IF 0.5 2区 数学 Q4 MATHEMATICS, INTERDISCIPLINARY APPLICATIONS Journal of Mathematics and Music Pub Date : 2020-10-05 DOI:10.1080/17459737.2020.1836686
J. Elliott
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引用次数: 2

Abstract

We provide an application of the theory of group actions to the study of musical scales. For any group G, finite G-set S, and real number t, we define the t-power diameter to be the size of any maximal orbit of S divided by the t-power mean orbit size of the elements of S. The symmetric group acts on the set of all tonic scales, where a tonic scale is a subset of containing 0. We show that for all , among all the subgroups G of , the t-power diameter of the G-set of all heptatonic scales is the largest for the subgroup Γ, and its conjugate subgroups, generated by . The unique maximal Γ-orbit consists of the 32 thāts of Hindustani classical music popularized by Bhatkhande. This analysis provides a reason why these 32 scales, among all 462 heptatonic scales, are of mathematical interest. We also apply our analysis, to a lesser degree, to hexatonic and pentatonic scales.
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集体行动,权力意味着轨道大小和音乐尺度
我们提供了群体行为理论在音阶研究中的应用。对于任意群G,有限G集S和实数t,我们定义t幂直径为S的任意最大轨道的大小除以S元素的t幂平均轨道的大小。对称群作用于所有主尺度的集合,其中主尺度是包含0的子集。我们证明了在所有的子群G中,所有七次方尺度的G集的t幂直径对于子群Γ及其共轭子群是最大的。独特的最大值Γ-orbit由Bhatkhande推广的印度斯坦古典音乐的32 thāts组成。这个分析提供了为什么在所有462个七阶音阶中这32个音阶具有数学意义的原因。我们也将我们的分析,在较小程度上,应用于六声音阶和五声音阶。
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来源期刊
Journal of Mathematics and Music
Journal of Mathematics and Music 数学-数学跨学科应用
CiteScore
1.90
自引率
18.20%
发文量
18
审稿时长
>12 weeks
期刊介绍: Journal of Mathematics and Music aims to advance the use of mathematical modelling and computation in music theory. The Journal focuses on mathematical approaches to musical structures and processes, including mathematical investigations into music-theoretic or compositional issues as well as mathematically motivated analyses of musical works or performances. In consideration of the deep unsolved ontological and epistemological questions concerning knowledge about music, the Journal is open to a broad array of methodologies and topics, particularly those outside of established research fields such as acoustics, sound engineering, auditory perception, linguistics etc.
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