The Textual Tradition of the Carmen de uentis (AL 484) : Some Preliminary Conclusions with a New Edition

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY AEVUM-RASSEGNA DI SCIENZE STORICHE LINGUISTICHE E FILOLOGICHE Pub Date : 2009-01-01 DOI:10.1400/175653
Paulo Alberto
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引用次数: 2

Abstract

The Carmen de uentis (AL 484) is a school poem on the names of the winds, considered by Traube and Diaz y Diaz to be a seventh-century Visigothic composition. It achieved a wide manuscript circulation throughout the Middle Ages, and can be found in over fifty manuscripts, sometimes embodied in wind diagrams. The earliest branch, the oldest witnesses to which date from the early eighth century, circulated mainly in Visigothic milieux and northern Italy. The descendants of a more recent archetype, possibly a revision by a Carolingian scholar which presents a more 'classical' text, are mostly found in Reims, Fleury, Germany and connected centres, from the early ninth century onwards; this archetype is the source for most later copies. This article is the first attempt to provide a full description of the textual tradition of the poem and suggests that Riese's text should be reconsidered.
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《舞女卡门》(AL 484)的文本传统:新版本的一些初步结论
《Carmen de uentis》(AL 484)是一首关于风的名字的学校诗歌,被特劳伯和迪亚兹·迪亚兹认为是七世纪西哥特人的作品。它在整个中世纪获得了广泛的手稿流通,可以在50多个手稿中找到,有时体现在风图中。最早的分支,最早的证据可以追溯到8世纪早期,主要在西哥特环境和意大利北部流传。一个更近的原型的后代,可能是由加洛林学者提出的一个更“古典”的文本的修订,主要发现在兰斯,弗勒里,德国和相关的中心,从9世纪早期开始;这个原型是后来大多数副本的来源。本文首次尝试全面描述这首诗的文本传统,并建议重新考虑里斯的文本。
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