{"title":"Quality TV, Turkish Television History, and the Transformation of Sıfır Bir","authors":"Savaş Arslan, T. Teti̇k","doi":"10.1080/01956051.2020.1769018","DOIUrl":null,"url":null,"abstract":"ABSTRACT: Turkish television has undergone a transformation in recent decades due to the rising global popularity of Turkish series; the proliferation of viewership; and the introduction of cable, digital, online, and OTT (over-the-top) platforms. The result has been increasingly higher-quality TV content. This article traces the history of Turkish television with a look at how the Turkish television-series market has evolved into one which produces globally marketed content and how the discourses on quality TV informed such developments. The article also demarcates the history of television in Turkey into three different phases by underlining major changes and by proposing a novel periodization. Then, the contemporary rendering of “quality” is illustrated through a six-season-long, hit crime drama series, Sıfır Bir: Bir Zamanlar Adana’da (Zero One: Once Upon a Time in Adana, 2016–2019). The article argues that while the first two seasons of the series illustrate an independent, low-budget Web production based on a true story, after a transitional third season, the final three seasons feature an institutionalized “quality” drama on a national OTT platform at the expense of its earlier authenticity and naturalism.","PeriodicalId":44169,"journal":{"name":"JOURNAL OF POPULAR FILM AND TELEVISION","volume":"34 1","pages":"40 - 51"},"PeriodicalIF":0.5000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"JOURNAL OF POPULAR FILM AND TELEVISION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01956051.2020.1769018","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 2
Abstract
ABSTRACT: Turkish television has undergone a transformation in recent decades due to the rising global popularity of Turkish series; the proliferation of viewership; and the introduction of cable, digital, online, and OTT (over-the-top) platforms. The result has been increasingly higher-quality TV content. This article traces the history of Turkish television with a look at how the Turkish television-series market has evolved into one which produces globally marketed content and how the discourses on quality TV informed such developments. The article also demarcates the history of television in Turkey into three different phases by underlining major changes and by proposing a novel periodization. Then, the contemporary rendering of “quality” is illustrated through a six-season-long, hit crime drama series, Sıfır Bir: Bir Zamanlar Adana’da (Zero One: Once Upon a Time in Adana, 2016–2019). The article argues that while the first two seasons of the series illustrate an independent, low-budget Web production based on a true story, after a transitional third season, the final three seasons feature an institutionalized “quality” drama on a national OTT platform at the expense of its earlier authenticity and naturalism.
摘要:近几十年来,由于土耳其电视剧在全球的流行,土耳其电视经历了一次转型;观众的激增;有线、数字、在线和OTT (over-the-top)平台的引入。其结果是电视内容的质量越来越高。本文追溯土耳其电视的历史,看看土耳其电视连续剧市场如何演变成一个生产全球营销内容的市场,以及关于高质量电视的话语如何告知这种发展。文章还通过强调主要变化和提出新颖的分期,将土耳其电视史划分为三个不同的阶段。然后,通过一部长达六季的热门犯罪剧Sıfır Bir: Bir Zamanlar Adana 'da (Zero One: Once Upon a Time in Adana, 2016-2019)来说明“质量”的当代呈现。文章认为,虽然该剧的前两季是一部基于真实故事的独立低成本网络制作,但在过渡的第三季之后,最后三季是一部在国家OTT平台上制度化的“高质量”电视剧,代价是它之前的真实性和自然主义。
期刊介绍:
How did Casablanca affect the home front during World War II? What is the postfeminist significance of Buffy the Vampire Slayer? The Journal of Popular Film and Television answers such far-ranging questions by using the methods of popular culture studies to examine commercial film and television, historical and contemporary. Articles discuss networks, genres, series, and audiences, as well as celebrity stars, directors, and studios. Regular features include essays on the social and cultural background of films and television programs, filmographies, bibliographies, and commissioned book and video reviews.