{"title":"Interpreting a Tatanua Mask","authors":"Bruno Haas, P. Schorch, M. Mel","doi":"10.3167/armw.2019.070110","DOIUrl":null,"url":null,"abstract":"This article introduces the art historical method of functional deixis into the study of material culture in anthropology. Functional deixis begins with a thorough empirical description of communicative effects—visual and embodied—produced by a material thing on the beholder. It then proceeds by tending to a kind of formalisation that enables us, on the one hand, to sharpen our intuitive reaction to the thing and, on the other, to obtain detailed knowledge about the ways material things produce significance. Here, the method is applied to a tatanua mask originating from present-day Papua New Guinea and currently housed at the Grassi Museum für Völkerkunde in Leipzig, Germany. Based on a thick description, we propose an in-depth interpretation of the mask as a complex response to a fundamental injury, articulating a symbolic expression of grief (left side) with an iconic expression overcoming grief (right side) after a passage through a real word expressed through the front of the mask. In doing so, the article offers a tool to study with rather than a text to read off.","PeriodicalId":40959,"journal":{"name":"Museum Worlds","volume":"445 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2019-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Museum Worlds","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/armw.2019.070110","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
Abstract
This article introduces the art historical method of functional deixis into the study of material culture in anthropology. Functional deixis begins with a thorough empirical description of communicative effects—visual and embodied—produced by a material thing on the beholder. It then proceeds by tending to a kind of formalisation that enables us, on the one hand, to sharpen our intuitive reaction to the thing and, on the other, to obtain detailed knowledge about the ways material things produce significance. Here, the method is applied to a tatanua mask originating from present-day Papua New Guinea and currently housed at the Grassi Museum für Völkerkunde in Leipzig, Germany. Based on a thick description, we propose an in-depth interpretation of the mask as a complex response to a fundamental injury, articulating a symbolic expression of grief (left side) with an iconic expression overcoming grief (right side) after a passage through a real word expressed through the front of the mask. In doing so, the article offers a tool to study with rather than a text to read off.
本文将功能指示的艺术史方法引入人类学的物质文化研究。功能性指示语开始于对物质性事物对观察者产生的交流效果——视觉的和具体化的——的彻底的经验描述。然后,它趋向于一种形式化,使我们一方面能够强化我们对事物的直觉反应,另一方面,获得关于物质事物产生意义的方式的详细知识。在这里,这种方法被应用于一个tatanua面具,它起源于今天的巴布亚新几内亚,目前存放在德国莱比锡的Grassi博物馆f r Völkerkunde。在厚厚的描述的基础上,我们提出了一个深入的解释,面具是对基本伤害的复杂反应,表达了悲伤的象征性表达(左侧)和克服悲伤的标志性表达(右侧),之后通过面具正面表达了一个真实的单词。这样,这篇文章提供了一个学习的工具,而不是一篇阅读的文章。