{"title":"William Blake: The Artist (Tate Britain, 11 September 2019–2 February 2020): An Interview with Martin Myrone","authors":"Luisa Calé","doi":"10.47761/biq.242","DOIUrl":null,"url":null,"abstract":"In this interview Martin Myrone discusses the upcoming retrospective William Blake: The Artist, which opens at Tate Britain on 11 September.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"140 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2019-06-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.242","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
In this interview Martin Myrone discusses the upcoming retrospective William Blake: The Artist, which opens at Tate Britain on 11 September.
期刊介绍：
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.
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