The rule of faith

K. O. Sandnes
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Abstract

Both Irenaeus and Tertullian address the issue of “the rule of faith” in a context where they fight adversaries or heretics. The argument of both writers reaches a climax when they point out how cento-writers composed new stories or texts by lifting lines verbatim from classical epics. Thus, they kept the words (verba) and altered the stories (res or sensus). This article takes this analogy as point of departure in a way not yet done, and finds that ancient rhetoric, with ideals of literary composition, arrangement and order, is decisive for how both Irenaeus and Tertullian present the rule of faith. This applies to both terminology and the illustrations they use. The rule of faith is the intended story of Scripture, which is naturally discerned from there in a way analogous to how historians were expected to arrange their stories. Lucian of Samosata and Dionysius of Halicarnassus provide helpful analogies.
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信仰的法则
爱任纽和德尔图良都在他们与敌人或异教徒作战的背景下解决了“信仰规则”的问题。两位作家的争论达到了高潮,他们指出了中间派作家如何通过逐字逐句地从古典史诗中提取台词来创作新的故事或文本。因此,他们保留了单词(verba)而改变了故事(res或sensus)。本文以这一类比为出发点,以一种尚未完成的方式,发现古代修辞学,具有文学组成,排列和秩序的理想,对爱任纽和德尔图良如何呈现信仰的统治起着决定性的作用。这适用于他们使用的术语和插图。信仰的规则是圣经的故事,这是很自然的,从某种程度上,类似于历史学家如何安排他们的故事。萨莫萨塔的卢西恩和哈利卡那索斯的狄奥尼修斯提供了有益的类比。
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3
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