Dominio, obbedienza, mansuetudine. Effetti dell’immagine del "Christus hortulanus" tra Cinquecento e Seicento

Q4 Arts and Humanities Montesquieu.it Pub Date : 2020-02-25 DOI:10.6092/ISSN.2421-4124/10543
A. D. Biase
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Abstract

Starting from the frontispiece of a 16th century translation of Aristotle’s "Politics", depicting the scene of Christ appearing to Mary Magdalene as a ‘gardener’ (Jn 20:15), this essay aims to outline a possible reading path in order to describe the meanings and purposes of the image. More precisely, it examines the convergence of issues relating to the limits of political action and voluntary servitude in treatise writers, lexicographers and philosophers between the late 16th century and the early 17th century. An elusive invitation to obedience and moral surrender lies behind the longed-for return to a state of nature prior to sin: only by renouncing the active sphere of the individual wills, as well as the disruptive forces coming from the internal passions and the private interests, will it be possible to guarantee the members of the social body a greater, albeit indirect, political solidity.
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统治,服从,温顺。“Christus hortulanus”的图像效果在500到600之间
从16世纪亚里士多德的《政治》翻译的扉页开始,描绘了基督作为“园丁”出现在抹大拉的玛利亚面前的场景(约20:15),本文旨在概述一个可能的阅读路径,以描述该图像的意义和目的。更准确地说,它考察了16世纪末至17世纪初论文作者、词典编纂者和哲学家关于政治行动和自愿奴役的限制的问题的汇合。在人们渴望回归到罪恶之前的自然状态的背后,隐藏着一种难以捉摸的顺从和道德投降的邀请:只有放弃个人意志的活跃领域,以及来自内部激情和私人利益的破坏性力量,才有可能保证社会主体的成员拥有更大的(尽管是间接的)政治坚固性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Montesquieu.it
Montesquieu.it Arts and Humanities-History
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发文量
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审稿时长
20 weeks
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