{"title":"Cloak and Dagger","authors":"J. Darlington","doi":"10.1215/17432197-8593595","DOIUrl":null,"url":null,"abstract":"The history of the modern state is the history of intelligence gathering. Feudal allegiances are supplanted by organized bureaucracies. Individual authority figures are replaced by complex systems. Individual codes of honor are subsumed under nationwide laws. Turning governance into “the state” — a unified organization — requires the circulation and control of information. As Ioanna Iordanou argues in her new history, Venice’s Secret Service, the creation of a secret service is therefore not secondary to the emergence of the state but, in fact, fundamental to it. At times, Iordanou goes even further, telling us that the state itself, as an early modern creation, is founded on intelligence and the secret services that gather and transmit it. At first glance, Venice’s Secret Service is a history book. It is packed with fascinating historical color, tales of espionage, ciphers, and underhand plots. The author has plumbed the extensive Venetian archives and grounds her study in an expansive knowledge of the secret service’s everyday operations. Yet, while its subject matter is sufficiently distant that one would be forgiven for thinking it only of interest to the antiquarian, Iordanou’s real focus lies in organizational structures and the contemporary parallels one can find there. She uses her indepth research to quietly undermine sociological presumptions about the industrial foundations of the modern state. Rather than the factory model, as promoted by Max Weber, Iordanou traces the birth of states to the early modern period when “nearly all European states underwent a process of ‘arcanisation.’ Secrecy strictures were endorsed, the acquisition of secret knowledge was systematised, and B o o k R e v i e w","PeriodicalId":35197,"journal":{"name":"Cultural Politics","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cultural Politics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/17432197-8593595","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Social Sciences","Score":null,"Total":0}
引用次数: 0
Abstract
The history of the modern state is the history of intelligence gathering. Feudal allegiances are supplanted by organized bureaucracies. Individual authority figures are replaced by complex systems. Individual codes of honor are subsumed under nationwide laws. Turning governance into “the state” — a unified organization — requires the circulation and control of information. As Ioanna Iordanou argues in her new history, Venice’s Secret Service, the creation of a secret service is therefore not secondary to the emergence of the state but, in fact, fundamental to it. At times, Iordanou goes even further, telling us that the state itself, as an early modern creation, is founded on intelligence and the secret services that gather and transmit it. At first glance, Venice’s Secret Service is a history book. It is packed with fascinating historical color, tales of espionage, ciphers, and underhand plots. The author has plumbed the extensive Venetian archives and grounds her study in an expansive knowledge of the secret service’s everyday operations. Yet, while its subject matter is sufficiently distant that one would be forgiven for thinking it only of interest to the antiquarian, Iordanou’s real focus lies in organizational structures and the contemporary parallels one can find there. She uses her indepth research to quietly undermine sociological presumptions about the industrial foundations of the modern state. Rather than the factory model, as promoted by Max Weber, Iordanou traces the birth of states to the early modern period when “nearly all European states underwent a process of ‘arcanisation.’ Secrecy strictures were endorsed, the acquisition of secret knowledge was systematised, and B o o k R e v i e w
期刊介绍:
Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.