Cloak and Dagger

Q1 Social Sciences Cultural Politics Pub Date : 2020-11-01 DOI:10.1215/17432197-8593595
J. Darlington
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引用次数: 0

Abstract

The history of the modern state is the history of intelligence gathering. Feudal allegiances are supplanted by organized bureaucracies. Individual authority figures are replaced by complex systems. Individual codes of honor are subsumed under nationwide laws. Turning governance into “the state” — a unified organization — requires the circulation and control of information. As Ioanna Iordanou argues in her new history, Venice’s Secret Service, the creation of a secret service is therefore not secondary to the emergence of the state but, in fact, fundamental to it. At times, Iordanou goes even further, telling us that the state itself, as an early modern creation, is founded on intelligence and the secret services that gather and transmit it. At first glance, Venice’s Secret Service is a history book. It is packed with fascinating historical color, tales of espionage, ciphers, and underhand plots. The author has plumbed the extensive Venetian archives and grounds her study in an expansive knowledge of the secret service’s everyday operations. Yet, while its subject matter is sufficiently distant that one would be forgiven for thinking it only of interest to the antiquarian, Iordanou’s real focus lies in organizational structures and the contemporary parallels one can find there. She uses her indepth research to quietly undermine sociological presumptions about the industrial foundations of the modern state. Rather than the factory model, as promoted by Max Weber, Iordanou traces the birth of states to the early modern period when “nearly all European states underwent a process of ‘arcanisation.’ Secrecy strictures were endorsed, the acquisition of secret knowledge was systematised, and B o o k R e v i e w
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斗篷与匕首
现代国家的历史就是情报收集的历史。封建忠诚被有组织的官僚机构所取代。个别的权威人物被复杂的系统所取代。个人荣誉守则被纳入国家法律。把治理变成“国家”——一个统一的组织——需要信息的流通和控制。正如Ioanna Iordanou在她的新史《威尼斯的特勤局》中所说的那样,特勤局的创建因此不是国家出现的次要因素,事实上,它是国家出现的基础。有时,约尔达努甚至走得更远,告诉我们国家本身,作为一个早期的现代创造物,是建立在情报和收集和传播情报的秘密机构的基础上的。乍一看,威尼斯的特勤局是一本历史书。它充满了迷人的历史色彩,间谍故事,密码和幕后阴谋。作者研究了大量的威尼斯档案,并将她的研究建立在对特勤局日常运作的广泛了解之上。然而,尽管它的主题非常遥远,以至于人们会认为它只对古物学家感兴趣,这是可以理解的,但约尔达努真正的关注点在于组织结构以及人们可以在其中找到的当代相似之处。她利用自己的深入研究,不动声色地颠覆了社会学对现代国家工业基础的假设。与马克斯•韦伯(Max Weber)推崇的工厂模式不同,约尔达努将国家的诞生追溯到近代早期,当时“几乎所有欧洲国家都经历了一个‘神秘化’过程”。保密制度得到了认可,秘密知识的获取被系统化了,而贝·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥·奥
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来源期刊
Cultural Politics
Cultural Politics Social Sciences-Cultural Studies
CiteScore
1.20
自引率
0.00%
发文量
19
期刊介绍: Cultural Politics is an international, refereed journal that explores the global character and effects of contemporary culture and politics. Cultural Politics explores precisely what is cultural about politics and what is political about culture. Publishing across the arts, humanities, and social sciences, the journal welcomes articles from different political positions, cultural approaches, and geographical locations. Cultural Politics publishes work that analyzes how cultural identities, agencies and actors, political issues and conflicts, and global media are linked, characterized, examined, and resolved. In so doing, the journal supports the innovative study of established, embryonic, marginalized, or unexplored regions of cultural politics. Cultural Politics, while embodying the interdisciplinary coverage and discursive critical spirit of contemporary cultural studies, emphasizes how cultural theories and practices intersect with and elucidate analyses of political power. The journal invites articles on representation and visual culture; modernism and postmodernism; media, film, and communications; popular and elite art forms; the politics of production and consumption; language; ethics and religion; desire and psychoanalysis; art and aesthetics; the culture industry; technologies; academics and the academy; cities, architecture, and the spatial; global capitalism; Marxism; value and ideology; the military, weaponry, and war; power, authority, and institutions; global governance and democracy; political parties and social movements; human rights; community and cosmopolitanism; transnational activism and change; the global public sphere; the body; identity and performance; heterosexual, transsexual, lesbian, and gay sexualities; race, blackness, whiteness, and ethnicity; the social inequalities of the global and the local; patriarchy, feminism, and gender studies; postcolonialism; and political activism.
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