Ethics in Fashion and Gucci’s Blackface Sweater; Will the Fashion Industry Finally Learn from Its Mistakes?

IF 0.9 3区 哲学 Q3 COMMUNICATION Journal of Media Ethics Pub Date : 2023-03-26 DOI:10.1080/23736992.2023.2194289
Faren Karimkhan
{"title":"Ethics in Fashion and Gucci’s Blackface Sweater; Will the Fashion Industry Finally Learn from Its Mistakes?","authors":"Faren Karimkhan","doi":"10.1080/23736992.2023.2194289","DOIUrl":null,"url":null,"abstract":"The fashion industry has faced many criticisms of racial insensitivity in recent years. In December of 2018, luxury brand Prada was criticized for displaying merchandise and storefront figurines that resembled blackface (Bhattarai, 2020), while earlier in the same year, H&M received backlash for its’ monkey sweater (Selk, 2018). The fact that the Gucci Blackface sweater controversy occurred soon after these incidents is concerning, as it undermines the credibility of the brands’ promises to prioritize diversity and raises the question of “will the industry ever learn from its mistakes when similar controversies arise too frequently?” The problem with the Gucci Blackface sweater controversy extends beyond a mere issue of “design gone wrong.” It reveals a more profound problem within the fashion industry, and that is the lack of diversity and underrepresentation of diverse voices in decision-making positions. The design and production of high-end fashion products involve several stages of approval, from the initial concept to the final product. The fact that a product with blatantly offensive racial connotations could make it to the shelves highlights the absence of diversity within the fashion industry, which cannot be overlooked. A common response to crises around offensive products, including the response from Gucci, is acknowledging the lack of diversity. But simply hiring individuals from diverse backgrounds or having a person of color present in the room does not come close to a real and effective solution. G. B. Saunders (pseudonym), in an article on Colorlines, wrote:","PeriodicalId":45979,"journal":{"name":"Journal of Media Ethics","volume":"39 1","pages":"123 - 125"},"PeriodicalIF":0.9000,"publicationDate":"2023-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Media Ethics","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/23736992.2023.2194289","RegionNum":3,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0

Abstract

The fashion industry has faced many criticisms of racial insensitivity in recent years. In December of 2018, luxury brand Prada was criticized for displaying merchandise and storefront figurines that resembled blackface (Bhattarai, 2020), while earlier in the same year, H&M received backlash for its’ monkey sweater (Selk, 2018). The fact that the Gucci Blackface sweater controversy occurred soon after these incidents is concerning, as it undermines the credibility of the brands’ promises to prioritize diversity and raises the question of “will the industry ever learn from its mistakes when similar controversies arise too frequently?” The problem with the Gucci Blackface sweater controversy extends beyond a mere issue of “design gone wrong.” It reveals a more profound problem within the fashion industry, and that is the lack of diversity and underrepresentation of diverse voices in decision-making positions. The design and production of high-end fashion products involve several stages of approval, from the initial concept to the final product. The fact that a product with blatantly offensive racial connotations could make it to the shelves highlights the absence of diversity within the fashion industry, which cannot be overlooked. A common response to crises around offensive products, including the response from Gucci, is acknowledging the lack of diversity. But simply hiring individuals from diverse backgrounds or having a person of color present in the room does not come close to a real and effective solution. G. B. Saunders (pseudonym), in an article on Colorlines, wrote:
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
时尚伦理与古驰的黑脸毛衣时装业最终会从错误中吸取教训吗?
近年来,时装业面临着许多对种族不敏感的批评。2018年12月,奢侈品牌普拉达(Prada)因展示类似黑脸的商品和店面小雕像而受到批评(Bhattarai, 2020),而同年早些时候,H&M因其“猴子毛衣”(Selk, 2018)而遭到抨击。在这些事件发生后不久就发生了古驰黑脸毛衣争议,这一事实令人担忧,因为它破坏了这些品牌优先考虑多样性的承诺的可信度,并引发了一个问题:“当类似的争议频繁出现时,这个行业会从错误中吸取教训吗?”古驰黑脸毛衣争议的问题不仅仅是“设计出错”的问题。它揭示了时尚行业内一个更深刻的问题,那就是决策职位缺乏多样性,不同声音的代表性不足。从最初的概念到最终的产品,高端时尚产品的设计和生产涉及几个阶段的审批。一款带有公然冒犯性种族内涵的产品能够登上货架,这一事实突显出时尚行业缺乏多样性,这是不容忽视的。对冒犯性产品引发的危机,包括古驰的回应,普遍的回应是承认缺乏多样性。但是,仅仅雇佣来自不同背景的人或让有色人种的人在场,并不是一个真正有效的解决方案。g.b.桑德斯(化名)在一篇关于“肤色线”的文章中写道:
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
2.10
自引率
15.80%
发文量
27
期刊最新文献
In Defense of Journalism and Presidential Debates From Classroom to Global Discourse: New Resources for Media Ethics Character Skepticism and the Virtuous Journalist Inside the Ivory Tower: How Student Journalists Reason About Ethics The Influence of Crucibles of Experience in Moral Development & Psychology of Public Relations Exemplars
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1