{"title":"Joseph Fletcher, William Blake as Natural Philosopher, 1788–1795","authors":"James Rovira","doi":"10.47761/biq.337","DOIUrl":null,"url":null,"abstract":"Joseph Fletcher’s William Blake as Natural Philosopher, 1788–1795 dedicates itself to the task of defining Blake’s position on a variety of questions asked by eighteenth-century natural science, which in contemporary terms consisted of a mixture of philosophy of science, philosophy of nature, and empirical study. Because Blake wrote poetry that at times appears simple while being very complex, and that at other times drops all pretenses to simplicity, I believe that this task is doomed to fail. Apart from the inherent difficulties of translating literature into philosophy or science, Blake often presents the added difficulty of juxtaposing a number of highly developed, varying subjectivities and points of view within the same work, so that it’s nearly impossible to identify any one point of view with the author’s own. Does he adopt any one character’s point of view as his own, or does he occupy a third position located outside the text, only observing the interplay of these characters and their ideas, perhaps agreeing with some characters’ ideas but not others? Additionally, Blake writes in a mythological mode. Are his characters even human? Are they anthropomorphic representations of social or psychological forces? Something else? How would we define the natural philosophy of a mythological figure, and what kind of evidence could we present to align that view with Blake’s own?","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"78 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.337","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Joseph Fletcher’s William Blake as Natural Philosopher, 1788–1795 dedicates itself to the task of defining Blake’s position on a variety of questions asked by eighteenth-century natural science, which in contemporary terms consisted of a mixture of philosophy of science, philosophy of nature, and empirical study. Because Blake wrote poetry that at times appears simple while being very complex, and that at other times drops all pretenses to simplicity, I believe that this task is doomed to fail. Apart from the inherent difficulties of translating literature into philosophy or science, Blake often presents the added difficulty of juxtaposing a number of highly developed, varying subjectivities and points of view within the same work, so that it’s nearly impossible to identify any one point of view with the author’s own. Does he adopt any one character’s point of view as his own, or does he occupy a third position located outside the text, only observing the interplay of these characters and their ideas, perhaps agreeing with some characters’ ideas but not others? Additionally, Blake writes in a mythological mode. Are his characters even human? Are they anthropomorphic representations of social or psychological forces? Something else? How would we define the natural philosophy of a mythological figure, and what kind of evidence could we present to align that view with Blake’s own?
期刊介绍:
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.