Aspetti dell'esperienza grafica del Quattrocento italiano attraverso i Manoscritti datati d'Italia

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY AEVUM-RASSEGNA DI SCIENZE STORICHE LINGUISTICHE E FILOLOGICHE Pub Date : 2008-01-01 DOI:10.1400/175596
T. D. Robertis
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Abstract

In the "Manoscritti datati d'ltalia" series descriptions and plates of 1782 manuscripts have been published so far, and 85% are 15th-century items. Thus the series is of basic importance for the study of late medieval and humanistic scripts, particularly in Italy, where two main traditions (moderna and antiqua), which included a great variety of writing practices, continued side by side during the Quattrocento. These plates are tools for a palaeographical study aiming at classification. Manuscripts in moderna appear to outnumber those in antiqua; 44% of the Italian book production is of Tuscan origin; the peak of production, both in antiqua and in moderna, took place between 1450 and 1480. Among the 'modern' scripts, the textualis appears prevailing. Many foreign scribes are active in Italy: some of them are deeply influenced by Italian writing models.
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通过日期为意大利的手稿
在“意大利马诺斯克里蒂数据”系列中,迄今为止已出版的1782份手稿的描述和板块,其中85%是15世纪的物品。因此,该系列对于中世纪晚期和人文主义剧本的研究具有重要的基础意义,特别是在意大利,在那里,两大主要传统(现代和古代),其中包括各种各样的写作实践,在四世纪期间并肩继续。这些板块是古生物学研究的工具,目的是进行分类。现代手稿的数量似乎超过了古代手稿;44%的意大利图书产自托斯卡纳;无论是古代还是现代,生产的高峰都发生在1450年至1480年之间。在“现代”剧本中,文本主义似乎占了上风。许多外国文士活跃在意大利,他们中的一些人深受意大利写作模式的影响。
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