Reception analysis of Indonesian audience towards physical and verbal violence on series Squid Game (2021) by Hwang Dong-Hyuk

Jordy Satria Widodo
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引用次数: 1

Abstract

Korean film has been rampantly surging all over the world, particularly in Indonesia. Moreover, Squid Game (2021) by Hwang Dong-Hyuk is popular in the country due to its plot and settings which present the real condition of the gap between upper-class and lower-middle class urban people in South Korea. It becomes intriguing for Indonesian audience because it shows the happening fact not only in South Korea but also similarly in Indonesia. The research was aimed at investigating Indonesian audience’s responses on physical and verbal violence depicted on Squid Game series (2021) by Hwang Dong-Hyuk. The research used the qualitative approach with reception analysis method by Stuart Hall. There are four audiences who become the informants of this research coming from urban workers and Korean film enthusiasts. The data collection technique was done through interviews as well as document analysis. The result showed that the informants’ reception towards the scenes are varying due to the situation and context that set the scenes which present different uses of physical and verbal violence.
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印尼观众对黄东赫作品《鱿鱼游戏》(2021)中肢体暴力和言语暴力的接受分析
韩国电影以印度尼西亚为中心,在世界各地掀起了热潮。此外,黄东赫的《鱿鱼游戏》(2021)也因其情节和背景展现了韩国城市中下阶层和上层阶级之间差距的真实状况而受到欢迎。这对印尼观众来说很有趣,因为它不仅展示了发生在韩国的事实,也同样展示了发生在印尼的事实。该研究旨在调查印度尼西亚观众对黄东赫的《鱿鱼游戏》系列(2021年)中描述的身体和语言暴力的反应。本研究采用了Stuart Hall的定性方法和接受分析方法。此次研究的举报人是城市劳动者和韩国电影爱好者,共4人。数据收集技术是通过访谈和文献分析完成的。结果表明,由于场景设置的情况和背景不同,举报人对场景的接受程度也不同,这些场景呈现出不同的身体和语言暴力使用方式。
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