From Dirca to design: printmaking with leatherwood (Dirca mexicana) bark paper

Q1 Arts and Humanities Journal of Visual Art Practice Pub Date : 2021-11-02 DOI:10.1080/14702029.2021.1981633
Zachary Hudson, A. Zandt, April Katz, W. Graves
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引用次数: 1

Abstract

ABSTRACT Washi is paper made by hand from the bark of native Japanese shrubs. Washi is a common medium used for printmaking and paper crafts. Artists who have studied nagashi-zuki, a sheet-forming method unique to washi, often import Japanese fibers because alternatives with similar properties have not been identified. We propose Dirca L. (leatherwood), a shrub endemic to North America, as a source of fibers with properties similar to those plants traditionally used to make washi. The thinness and strength of the leatherwood paper allows it to withstand repeated bending, folding and creasing better than paper made from species of Wikstroemia (Japanese fiber), suggesting an alternative for use with various printmaking techniques and paper arts and crafts that involve folding, such as origami. We engaged printmakers and origami artists in creating original pieces using our leatherwood paper and evaluated how the paper responds to various printmaking techniques and complex folding. We identified Dirca mexicana as a source of fibers with similar properties to species of Wikstroemia used to make gampi washi. Handmade D. mexicana bark paper was successfully used as a paper medium for intaglio, lithography, relief, digital, and screenprinting printmaking techniques, as well as, complex folding origami sculptures.
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从Dirca到设计:用皮革木(Dirca mexicana)树皮纸制作版画
和纸是用日本本土灌木的树皮手工制成的纸。Washi是一种用于版画和纸工艺品的常见媒介。研究过“长木”(nagashi-zuki)的艺术家经常进口日本纤维,因为还没有找到具有类似性能的替代品。“长木”是和木特有的一种板材成型方法。我们提出了一种北美特有的灌木——皮木(Dirca L.),作为纤维的来源,其特性与传统上用来制作washi的那些植物相似。与Wikstroemia(日本纤维)制成的纸张相比,皮木纸的薄度和强度使其能够更好地承受反复弯曲、折叠和折痕,这表明它可以用于各种版画制作技术和涉及折叠的纸张艺术和工艺,例如折纸。我们聘请了版画家和折纸艺术家使用我们的皮革木纸创作原创作品,并评估了纸张对各种版画制作技术和复杂折叠的反应。我们发现Dirca mexicana是一种纤维来源,与用于制作gampi washi的Wikstroemia种类具有相似的特性。手工制作的墨西哥树皮纸被成功地用作凹版、平版、浮雕、数码和丝网印刷技术的纸张媒介,以及复杂的折叠折纸雕塑。
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来源期刊
Journal of Visual Art Practice
Journal of Visual Art Practice Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.80
自引率
0.00%
发文量
16
期刊介绍: The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research
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