"POETISM" AS A SPECIFIC DIRECTION IN ART AND LITERATURE

A. Tkachenko
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Abstract

The article examines the literary and artistic direction "poetism", a concept that is insufficiently interpreted and highlighted in Ukrainian literary studies; there is a lack of special studies of this phenomenon in European art of the 20th century in domestic Slavic studies. "Poetism" is the most vivid manifestation of avant-gardeism on the Slavic soil, which, according to many researchers, became a kind of "forerunner" of modern postmodern art. The peculiarities of the literary avant-garde on the Czech territory are determined, its origins and manifestations are clarified. The socio-political and historical background of the emergence of the Czech artistic avant-garde, manifestations of poeticism in literary creativity, in particular in Czech poetry, are studied. An overview of the theoretical foundations of poetics, program manifestos and documents was made, the program, socio-political and literary activities of the artistic group " Devětsil" were considered. Artists did not dream of enriching museums with a few perfect works, they wanted to shape life itself. Art had to descend from the heights to people, to everyday life, as a normal necessity of life. Awareness of the change of eras, the primacy of life over art are the most important features of the Czech post-war avant-garde. It is in lyricism that one feels the changeable worldview, through which representatives of the avant-garde sought to enrich both literature and culture in general. All these changes took place before the eyes of the contemporaries of the era in science, philosophy, and culture: the world, previously complete and unchanged, turned into an open stream in which everything runs and rages. Lyrization in art was marked by the awareness of the turning of the epochs and fully reconciled man with natural happiness. Lyrism filled Czech art with a fabulous atmosphere of playfulness, humor, comic and absurdity of the world. He did not create a new world, because more significant changes were needed for that, he recreated the features of a new direction.
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“诗学”作为文艺的特定方向
文章考察了“诗性”这一在乌克兰文学研究中未被充分阐释和强调的文艺方向;国内斯拉夫研究缺乏对20世纪欧洲艺术中这一现象的专门研究。“诗学”是前卫主义在斯拉夫土壤上最生动的表现,在许多研究者看来,它已成为现代后现代艺术的一种“先行者”。确定了捷克境内文学先锋派的特点,阐明了其起源和表现形式。研究了捷克艺术先锋派出现的社会政治和历史背景,诗性在文学创作中的表现,特别是在捷克诗歌中。概述了诗学、纲领宣言和文件的理论基础,审议了艺术团体“devdevtsil”的纲领、社会政治和文学活动。艺术家们并不梦想用几件完美的作品来丰富博物馆,他们想要塑造生活本身。艺术必须从高处下降到人们的日常生活中,作为一种正常的生活必需品。意识到时代的变化,生活高于艺术是捷克战后前卫艺术最重要的特征。正是在抒情诗中,人们感受到多变的世界观,先锋派的代表们试图通过抒情诗丰富文学和文化。所有这些变化都发生在科学、哲学和文化的同时代人的眼前:以前完整而不变的世界变成了一条开放的河流,一切都在其中奔跑和肆虐。艺术抒情化的特点是意识到时代的转折,使人与自然的幸福完全调和。抒情诗使捷克艺术充满了玩闹、幽默、滑稽和荒诞的气氛。他没有创造一个新世界,因为这需要更大的变化,他重新创造了一个新方向的特征。
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