{"title":"Sheila A. Spector, The Evolution of Blake’s Myth","authors":"R. Yoder","doi":"10.47761/biq.292","DOIUrl":null,"url":null,"abstract":"Spector has spent much of her career championing a “canon of rejected knowledge” that she describes in her book as having been “extirpated from the bibliographies of acceptable resources” (330). The Evolution of Blake’s Myth is her most ambitious and persuasive statement yet on the importance of esoteric or “hidden” traditions, largely Kabbalistic, to Blake’s work. Spector discusses almost all of Blake’s illuminated books and a good number of his paintings; she also develops a vocabulary for Blake’s composite art that allows for a consistently integrated discussion of text and design.","PeriodicalId":39620,"journal":{"name":"Blake - An Illustrated Quarterly","volume":"13 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-10-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Blake - An Illustrated Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.47761/biq.292","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
Abstract
Spector has spent much of her career championing a “canon of rejected knowledge” that she describes in her book as having been “extirpated from the bibliographies of acceptable resources” (330). The Evolution of Blake’s Myth is her most ambitious and persuasive statement yet on the importance of esoteric or “hidden” traditions, largely Kabbalistic, to Blake’s work. Spector discusses almost all of Blake’s illuminated books and a good number of his paintings; she also develops a vocabulary for Blake’s composite art that allows for a consistently integrated discussion of text and design.
期刊介绍:
Blake/An Illustrated Quarterly was born as the Blake Newsletter on a mimeograph machine at the University of California, Berkeley in 1967. Edited by Morton D. Paley, the first issue ran to nine pages, was available for a yearly subscription rate of two dollars for four issues, and included the fateful words, "As far as editorial policy is concerned, I think the Newsletter should be just that—not an incipient journal." The production office of the Newsletter relocated to the University of New Mexico when Morris Eaves became co-editor in 1970, and then moved with him in 1986 to its present home at the University of Rochester.