(E)scatalogical Visions in Marlene van Niekerk’s Triomf

Abstract

Abstract It is over 20 years since Marlene van Niekerk published Triomf ([1994] 1999, Johannesburg: Jonathan Ball), a satire of the poor white Benade family, who have been bedazzled by apartheid ideology. This iconoclastic satire was published originally in Afrikaans in 1994, the year of the first democratic elections in South Africa. This article offers a close reading of “Peace on Earth”, a chapter that desublimates significant sacred icons in Afrikaner cultural mythology and offers a critique of the intricate workings of ideology. Notably, this critique relies upon the abjection of the male Afrikaner’s body, in particular that of Treppie Benade. Treppie, the satirist, is found sitting upon the “throne” (toilet) as he purges himself of the lies and illusions of apartheid ideology through a lengthy scatology. This article begins by situating the novel in terms of its commentary on the apartheid government’s attempt to rehabilitate the abject of the Afrikaner volk: poor white “trash”. It highlights excrement as a master trope of the satirist before analysing the allusions to Judeo-Christian iconography and (e)scatology (invoked in the Great Trek narrative) in terms of their resonances with Louis Althusser’s and Slavoj Žižek’s concepts of ideology. Further, I explore Treppie’s faecal tapestry in terms of an immanent sublime, drawing on Julia Kristeva’s theory of abjection and Friedrich Nietzsche’s Dionysian sublime. In conclusion, I consider Treppie’s final words and orientation at the end of the novel, and the implications of his Dionysian approach to an uncertain future.